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        "@value": "An die Substanz! - Probieren",
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        "@value": "Auslotung der Grenzen der Beherrschbar- und Belastbarkeit des ganzen Instrumentariums der Spielenden",
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        "@value": "\t\r\nLernziele / Kompetenzen\r\nDie Auslotung der Grenzen der Beherrschbarkeit und Belastbarkeit des ganzen Instrumentariums der Spielenden ist das Ziel des Moduls. \r\nAm Ende der Lehrveranstaltung wird ein Projekt präsentiert, dessen Autor*innenschaft bei den Studierenden liegt: Körper- und sprechchoreografisch maximal präzise, kraftvoll, inhaltlich durchdrungen: Substanziell.\r\nInhalte\r\nSpinoza: „Unter Substanz verstehe ich das, was in sich ist, und durch sich begriffen wird, das heißt das, dessen Begriff, um gebildet werden zu können, den Begriff eines anderen Dinges nicht bedarf.“ --- In diesem Sinne soll das 'Wesenhafte' jedweder spielerischen Handlung Untersuchungsgegenstand dieser Lehrveranstaltung sein.\r\nDurchdringung maximal komplizierter und tendenziöser Texte,\r\nGehen und Stehen, \r\nVorgänge und Standpunkte; die Stimme erheben,\r\nAussagen treffen,\r\nErprobung einer Sprech-Choreografie,\r\nErprobung einer Körper-Choreografie,\r\nUntersuchungen auf dem Themenfeld 'Wiederholbarkeit' bei vollem körperlichen Einsatz.\r\nStarten werden wir mit der spielerischen Untersuchung von Text- Materialen aus dem Roman \"Der Tunnel\" von William H. Gass, \"Die Kong Kong Theorie\" von Virgine Despentes und weiteren pamphletischen Schriften, Baile-Funk-Musik und den Lieblingssongs der beteiligten Studierenden. Weitere Texte und Musiken werden in gemeinsamer Absprache hinzugezogen.\r\n(Es wird angestrebt, die Forschungsgruppe mbody zur Dokumentation und reflektierenden Begleitung des Probeprozesses zu gewinnen: www.mbodyresearch.de)\r\n ",
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