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Vehikel, das: 1 [altes, schlechtes] Fahrzeug. Gebrauch: oft abwertend. 2 etwas, was als Mittel dazu dient, etwas anderes deutlich, wirksam werden zu lassen, zu ermöglichen.
![Bild: Vehikel, das: 1 [altes, schlechtes] Fahrzeug. Gebrauch: oft abwertend. 2 etwas, was als Mittel dazu dient, etwas anderes deutlich, wirksam werden zu lassen, zu ermöglichen.](/media/862b14e6-ffa6-4c44-ac76-6c5803b97ec6.jpg "Vehikel, das: 1 [altes, schlechtes] Fahrzeug. Gebrauch: oft abwertend. 2 etwas, was als Mittel dazu dient, etwas anderes deutlich, wirksam werden zu lassen, zu ermöglichen.")
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- Untertitel
- Diplomprojekt Praxis Kunst und Design, Profil Medien
- Autor/in
- Datierung
- 2023
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Studienabschnitt
- Importiert am
- 13.02.2023
- Übergeordnete Sets
- 1
Vehikel, das: 1 [altes, schlechtes] Fahrzeug. Gebrauch: oft abwertend. 2 etwas, was als Mittel dazu dient, etwas anderes deutlich, wirksam werden zu lassen, zu ermöglichen.
![Bild: Vehikel, das: 1 [altes, schlechtes] Fahrzeug. Gebrauch: oft abwertend. 2 etwas, was als Mittel dazu dient, etwas anderes deutlich, wirksam werden zu lassen, zu ermöglichen.](/media/d2224019-879a-4f2e-8b98-b420a759279b.jpg "Vehikel, das: 1 [altes, schlechtes] Fahrzeug. Gebrauch: oft abwertend. 2 etwas, was als Mittel dazu dient, etwas anderes deutlich, wirksam werden zu lassen, zu ermöglichen.")
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Untertitel
- Diplomprojekt Praxis Kunst und Design, Profil Medien
- Autor/in
- Datierung
- 2023
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Studienabschnitt
- Importiert am
- 13.02.2023
- Übergeordnete Sets
- 1
Vehikel, das: 1 [altes, schlechtes] Fahrzeug. Gebrauch: oft abwertend. 2 etwas, was als Mittel dazu dient, etwas anderes deutlich, wirksam werden zu lassen, zu ermöglichen.
![Bild: Vehikel, das: 1 [altes, schlechtes] Fahrzeug. Gebrauch: oft abwertend. 2 etwas, was als Mittel dazu dient, etwas anderes deutlich, wirksam werden zu lassen, zu ermöglichen.](/media/44146253-d4d3-44cb-90c3-80bda42d1968.jpg "Vehikel, das: 1 [altes, schlechtes] Fahrzeug. Gebrauch: oft abwertend. 2 etwas, was als Mittel dazu dient, etwas anderes deutlich, wirksam werden zu lassen, zu ermöglichen.")
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Untertitel
- Diplomprojekt Praxis Kunst und Design, Profil Medien
- Autor/in
- Datierung
- 2023
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Studienabschnitt
- Importiert am
- 13.02.2023
- Übergeordnete Sets
- 1
Diplomrezital (Ausschnitt) MA Specialized Performance Iker Sáez Liébana - Titelbild
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- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Es sind keine Metadaten zu diesem Kontext bereitgestellt.
- Importiert am
- 13.06.2021
- Übergeordnete Sets
- 1
Diplomrezital Shih-Yu Tang, MA Specialized Performance Soloist - Titelbild
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- Datierung
- 2021
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Es sind keine Metadaten zu diesem Kontext bereitgestellt.
- Importiert am
- 27.05.2021
- Übergeordnete Sets
- 1
Global Warming – Action, not Apathy
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- Untertitel
- Getting to a Personal Action Plan and Starting a Grassroots Movement, through Design – The HEAT Method
- Autor/in
- Datierung
- 2020
- Schlüsselwörter
- Beschreibung
-
Never before have we known so much about how human behaviour impacts the environment. The resulting global warming leads to resource shortages and loss of habitat. Yet we seem to do little. Despair, denial and disengagement significantly inhibit action taking at all levels. This thesis focuses on empowering positive engagement, starting with individuals and households in Switzerland. A strategic design approach, involving research into the psychological and cognitive mechanisms behind denial led to the HEAT Method (Hope, Evaluate, Act, Tell), which focuses on emotional and motivational aspects and designs a positive future vision, a set of concrete actions and a corresponding narrative. Sharing the narrative openly is used to start a grassroots movement. Approaches for scaling up to society at large are also investigated.
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- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Studienabschnitt
- Projekttitel auf deutsch
- Global Warming – Action, not Apathy
- Dozierende/Projektleitung
- Stefano Vannotti, Danica Zeier, Katharina Nill
- Importiert am
- 02.10.2020
- Übergeordnete Sets
- 1
(un)link
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- Autor/in
- Datierung
- 2023
- Beschreibung
- 2-channel 4k-video installation, sound. Audio by Luc Häfliger
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Studienabschnitt
- Importiert am
- 15.08.2023
- Übergeordnete Sets
- 1
22_Rebuilding the city of Herat after years of Soviet bombing
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- Untertitel
- Afgan
- Autor/in
- Datierung
- 1983
- Schlüsselwörter
- Rechteinhaber/in
- © Steve McCurry/Magnum Photos
- Es sind keine Metadaten zu diesem Kontext bereitgestellt.
- Importiert am
- 05.02.2015
- Übergeordnete Sets
- 0
22_Rebuilding the city of Herat after years of Soviet bombing
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- Untertitel
- Afganistan. Herat
- Autor/in
- Datierung
- 1993
- Schlüsselwörter
- Beschreibung
- Bombed Townscape, Herat, Afghanistan, 1992. Afghan War Refugees return to their war-torn neighborhood which was ravaged by twelve years of war.It looked like Dresden after the Second World War. But the war with the Soviet Union had ended, and families returned to rebuild their homes. "I was on a hill, before me a city the Russians had bombed for 10 years; devastation as far as the eye could see. I was there when the first few came back. Since then, it's completely filled. You can't recognise it. I photographed this over five or six days, at different times of day." from 'Steve McCurry' by Anthony Bannon"A young man returns to his hometown of Herat, in western Afghanistan, after living in Iran for sixteen years, only to find his neighborhood and home completely in ruins. He had to live in a tent where his home once stood. The Afghan refugee population was at one time the largest in the world. At least two million refugees have returned mostly from neighboring Iran and Pakistan."- George Eastman HouseBombed Townscape, Herat, Afghanistan, 1992National Geographic, Richard Mackenzie, Afghanistan's Uneasy Peace, 1993, October 1993, 184 (4), 58-59, NYC6225, MCS1994002 K215, Phaidon, 55, South Southeast, In the Shadow of Mountains, Iconic Images, final book_iconic, final print_milan
- Rechteinhaber/in
- © Steve McCurry/Magnum Photos
- Es sind keine Metadaten zu diesem Kontext bereitgestellt.
- Importiert am
- 05.02.2015
- Übergeordnete Sets
- 0
33d_Auch Du bist liberal
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- Autor/in
- Datierung
- 1956
- Schlüsselwörter
- Rechteinhaber/in
- © Karl Gerstner / Muriel Gerstner (vertreten durch Maria Jurkovic)
- Es sind keine Metadaten zu diesem Kontext bereitgestellt.
- Importiert am
- 21.09.2015
- Übergeordnete Sets
- 0
Aggregating Matter: Of Dandelions and Architectures
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- Beschreibung
- With "Aggregating Matter: Of Dandelions and Architectures" we open the third exhibition in cooperation with the Ursula Hauser Collection at NEST. Starting from ceramics by the German artist Beate Kuhn (1927-2015), the exhibition traces forms of the grown and designed environment. Moreover, it shines a spotlight on an unjustly less prominent figure in art history, placing her works in dialogue with contemporary works by Marta Riniker-Radich (b. 1982, lives in Frankfurt a. M. and Zurich) and Paulo Wirz (b. 1990, lives in Geneva and Zurich), members of the Bachelor Fine Arts team.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Studienabschnitt
- Dozierende/Projektleitung
- Elsa Himmer, Dr. Gabrielle Schaad
- Importiert am
- 15.03.2022
- Übergeordnete Sets
- 1
Aggregating Matter: Of Dandelions and Architectures
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Autor/in
- Beschreibung
- With "Aggregating Matter: Of Dandelions and Architectures" we open the third exhibition in cooperation with the Ursula Hauser Collection at NEST. Starting from ceramics by the German artist Beate Kuhn (1927-2015), the exhibition traces forms of the grown and designed environment. Moreover, it shines a spotlight on an unjustly less prominent figure in art history, placing her works in dialogue with contemporary works by Marta Riniker-Radich (b. 1982, lives in Frankfurt a. M. and Zurich) and Paulo Wirz (b. 1990, lives in Geneva and Zurich), members of the Bachelor Fine Arts team.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Studienabschnitt
- Dozierende/Projektleitung
- Elsa Himmer, Dr. Gabrielle Schaad
- Importiert am
- 15.03.2022
- Übergeordnete Sets
- 1