For a long time, the women in art existed only as a model or as a muse. She existed only as a painting or as a sculpture. She was only a body, a shell and the inspiration for the man to help his creative drive. At the same time, the gender relations were so engraved, that the woman as an artist did not exist.
This reduction to the body, was what I played with in the process of my project. But not only the woman in the role of a muse accompanied me as an inspiration. Also the detachment from the sole existence as a contentless body and the way to the self-realisation as an artist was part of my movement research.