«Ein Museum ist etwas, das noch nicht geschehen ist». Basierend auf dieser Formel kann ein Museum überall entstehen. Sowohl Interaktionen als auch die Zirkulation von Artefakten können Impulse für temporäre, ortsspezifische Ausstellungen geben. Als tragbares und mobiles System kann das Museum in einer Tasche transportiert, auf einem Esstisch platziert oder in einem Museumssaal ausgestellt werden.
«Museum.Delivery» ist eine performative Aktion, die den Sinn und das Bedürfnis nach Musealität hinterfragt. Abhängig von Ort, Zeit und Beteiligten offenbart die Architektur der Beziehungen ein Potenzial räumlicher und sozialer Situationen, um ein temporäres Museum des Hier und Jetzt zu bilden. Es kann zu Hause, im Büro, in der Schule oder direkt auf der Straße konzipiert werden, im Freundeskreis gezeigt oder zu einem öffentlichen Ereignis werden oder im privaten Rahmen bleiben.
«Museum.Delivery» wurde 2018 von der Mikro-Künstler:innengruppe «Gorod Ustinov» im Rahmen einer «Residency» der Genossenschaft «Gleis70» in Zürich ins Leben gerufen. Im Jahr 2022 änderte sich der Name und die symbolische Funktion der Praxis in «Botschaft der Mikroterritorien». Die Kunstschaffenden Natalia Peredvigina und Kirill Agafonov verliessen das militarisierte Russland. Im Exil präsentierten sie ihre Werke und persönlichen Mikroterritorien, die sie in einer Diplomaten-Aktentasche mit sich führten. Während ihrer 18-monatigen Migration durch mehrere Länder boten sie öffentliche Diskussionen und eine gemeinsame künstlerische Praxis an und sammelten Geschichten und Artefakte aus den Mikroterritorien anderer.
Kirill Agafonov lebt mittlerweile in Zürich. Er entwickelt die Idee des Mikroterritoriums und arbeitet an einer Fortsetzung des «Museum.Delivery». In Form eines Sets von Objekten und eines Pakets wird es zu einem Vehikel des kulturellen Austauschs zwischen verschiedenen Ländern, in die sein Umfeld migrieren musste und in denen sie neue persönliche, berufliche und kulturelle Verbindungen aufbauen.
«Ein Museum ist etwas, das noch nicht geschehen ist». Basierend auf dieser Formel kann ein Museum überall entstehen. Sowohl Interaktionen als auch die Zirkulation von Artefakten können Impulse für temporäre, ortsspezifische Ausstellungen geben. Als tragbares und mobiles System kann das Museum in einer Tasche transportiert, auf einem Esstisch platziert oder in einem Museumssaal ausgestellt werden.
«Museum.Delivery» ist eine performative Aktion, die den Sinn und das Bedürfnis nach Musealität hinterfragt. Abhängig von Ort, Zeit und Beteiligten offenbart die Architektur der Beziehungen ein Potenzial räumlicher und sozialer Situationen, um ein temporäres Museum des Hier und Jetzt zu bilden. Es kann zu Hause, im Büro, in der Schule oder direkt auf der Straße konzipiert werden, im Freundeskreis gezeigt oder zu einem öffentlichen Ereignis werden oder im privaten Rahmen bleiben.
«Museum.Delivery» wurde 2018 von der Mikro-Künstler:innengruppe «Gorod Ustinov» im Rahmen einer «Residency» der Genossenschaft «Gleis70» in Zürich ins Leben gerufen. Im Jahr 2022 änderte sich der Name und die symbolische Funktion der Praxis in «Botschaft der Mikroterritorien». Die Kunstschaffenden Natalia Peredvigina und Kirill Agafonov verliessen das militarisierte Russland. Im Exil präsentierten sie ihre Werke und persönlichen Mikroterritorien, die sie in einer Diplomaten-Aktentasche mit sich führten. Während ihrer 18-monatigen Migration durch mehrere Länder boten sie öffentliche Diskussionen und eine gemeinsame künstlerische Praxis an und sammelten Geschichten und Artefakte aus den Mikroterritorien anderer.
Kirill Agafonov lebt mittlerweile in Zürich. Er entwickelt die Idee des Mikroterritoriums und arbeitet an einer Fortsetzung des «Museum.Delivery». In Form eines Sets von Objekten und eines Pakets wird es zu einem Vehikel des kulturellen Austauschs zwischen verschiedenen Ländern, in die sein Umfeld migrieren musste und in denen sie neue persönliche, berufliche und kulturelle Verbindungen aufbauen.
“A museum is something that has not yet happened”. Based on this formula, a museum can be created anywhere. Through interactions as well as the circulation of artefacts, it can provide impulses for temporary, site-specific exhibitions. As a portable and mobile system, the museum can be transported in a bag, placed on a dining table or exhibited in a museum hall.
“Museum.Delivery” is a performative action that questions the sense and need for museality. Depending on the place, time and participants, the architecture of relations reveals the potential of spatial and social situations to form a temporary museum of the here and now. It can be composed at home, in the office, at school or directly on the street, shown among friends or become a public event or remain in a private setting.
“Museum.Delivery” was launched in 2018 by the micro-artist group “Gorod Ustinov” as part of a residency at the “Gleis70” cooperative in Zurich. In 2022, the name and symbolic function of the practice changed to “Embassy of Microterritories”. The artists Natalia Peredvigina and Kirill Agafonov left militarised Russia. In exile, they presented their works and personal micro-territories, which they carried with them in a diplomatic briefcase. During their 18-month migration through several countries, they offered public discussions and a shared artistic practice, collecting stories and artefacts from the micro-territories of others.
Kirill Agafonov meanwhile lives in Zurich. He is developing the idea of the micro-territory and is working on a continuation of “Museum.Delivery”. In the form of a set of objects and a parcel, it becomes a vehicle of cultural exchange between different countries to which those around him have had to migrate and in which they establish new personal, professional and cultural connections.
“A museum is something that has not yet happened”. Based on this formula, a museum can be created anywhere. Through interactions as well as the circulation of artefacts, it can provide impulses for temporary, site-specific exhibitions. As a portable and mobile system, the museum can be transported in a bag, placed on a dining table or exhibited in a museum hall.
“Museum.Delivery” is a performative action that questions the sense and need for museality. Depending on the place, time and participants, the architecture of relations reveals the potential of spatial and social situations to form a temporary museum of the here and now. It can be composed at home, in the office, at school or directly on the street, shown among friends or become a public event or remain in a private setting.
“Museum.Delivery” was launched in 2018 by the micro-artist group “Gorod Ustinov” as part of a residency at the “Gleis70” cooperative in Zurich. In 2022, the name and symbolic function of the practice changed to “Embassy of Microterritories”. The artists Natalia Peredvigina and Kirill Agafonov left militarised Russia. In exile, they presented their works and personal micro-territories, which they carried with them in a diplomatic briefcase. During their 18-month migration through several countries, they offered public discussions and a shared artistic practice, collecting stories and artefacts from the micro-territories of others.
Kirill Agafonov meanwhile lives in Zurich. He is developing the idea of the micro-territory and is working on a continuation of “Museum.Delivery”. In the form of a set of objects and a parcel, it becomes a vehicle of cultural exchange between different countries to which those around him have had to migrate and in which they establish new personal, professional and cultural connections.
“A museum is something that has not yet happened”. Based on this formula, a museum can be created anywhere. Through interactions as well as the circulation of artefacts, it can provide impulses for temporary, site-specific exhibitions. As a portable and mobile system, the museum can be transported in a bag, placed on a dining table or exhibited in a museum hall.
“Museum.Delivery” is a performative action that questions the sense and need for museality. Depending on the place, time and participants, the architecture of relations reveals the potential of spatial and social situations to form a temporary museum of the here and now. It can be composed at home, in the office, at school or directly on the street, shown among friends or become a public event or remain in a private setting.
“Museum.Delivery” was launched in 2018 by the micro-artist group “Gorod Ustinov” as part of a residency at the “Gleis70” cooperative in Zurich. In 2022, the name and symbolic function of the practice changed to “Embassy of Microterritories”. The artists Natalia Peredvigina and Kirill Agafonov left militarised Russia. In exile, they presented their works and personal micro-territories, which they carried with them in a diplomatic briefcase. During their 18-month migration through several countries, they offered public discussions and a shared artistic practice, collecting stories and artefacts from the micro-territories of others.
Kirill Agafonov meanwhile lives in Zurich. He is developing the idea of the micro-territory and is working on a continuation of “Museum.Delivery”. In the form of a set of objects and a parcel, it becomes a vehicle of cultural exchange between different countries to which those around him have had to migrate and in which they establish new personal, professional and cultural connections.
“A museum is something that has not yet happened”. Based on this formula, a museum can be created anywhere. Through interactions as well as the circulation of artefacts, it can provide impulses for temporary, site-specific exhibitions. As a portable and mobile system, the museum can be transported in a bag, placed on a dining table or exhibited in a museum hall.
“Museum.Delivery” is a performative action that questions the sense and need for museality. Depending on the place, time and participants, the architecture of relations reveals the potential of spatial and social situations to form a temporary museum of the here and now. It can be composed at home, in the office, at school or directly on the street, shown among friends or become a public event or remain in a private setting.
“Museum.Delivery” was launched in 2018 by the micro-artist group “Gorod Ustinov” as part of a residency at the “Gleis70” cooperative in Zurich. In 2022, the name and symbolic function of the practice changed to “Embassy of Microterritories”. The artists Natalia Peredvigina and Kirill Agafonov left militarised Russia. In exile, they presented their works and personal micro-territories, which they carried with them in a diplomatic briefcase. During their 18-month migration through several countries, they offered public discussions and a shared artistic practice, collecting stories and artefacts from the micro-territories of others.
Kirill Agafonov meanwhile lives in Zurich. He is developing the idea of the micro-territory and is working on a continuation of “Museum.Delivery”. In the form of a set of objects and a parcel, it becomes a vehicle of cultural exchange between different countries to which those around him have had to migrate and in which they establish new personal, professional and cultural connections.
“A museum is something that has not yet happened”. Based on this formula, a museum can be created anywhere. Through interactions as well as the circulation of artefacts, it can provide impulses for temporary, site-specific exhibitions. As a portable and mobile system, the museum can be transported in a bag, placed on a dining table or exhibited in a museum hall.
“Museum.Delivery” is a performative action that questions the sense and need for museality. Depending on the place, time and participants, the architecture of relations reveals the potential of spatial and social situations to form a temporary museum of the here and now. It can be composed at home, in the office, at school or directly on the street, shown among friends or become a public event or remain in a private setting.
“Museum.Delivery” was launched in 2018 by the micro-artist group “Gorod Ustinov” as part of a residency at the “Gleis70” cooperative in Zurich. In 2022, the name and symbolic function of the practice changed to “Embassy of Microterritories”. The artists Natalia Peredvigina and Kirill Agafonov left militarised Russia. In exile, they presented their works and personal micro-territories, which they carried with them in a diplomatic briefcase. During their 18-month migration through several countries, they offered public discussions and a shared artistic practice, collecting stories and artefacts from the micro-territories of others.
Kirill Agafonov meanwhile lives in Zurich. He is developing the idea of the micro-territory and is working on a continuation of “Museum.Delivery”. In the form of a set of objects and a parcel, it becomes a vehicle of cultural exchange between different countries to which those around him have had to migrate and in which they establish new personal, professional and cultural connections.
“A museum is something that has not yet happened”. Based on this formula, a museum can be created anywhere. Through interactions as well as the circulation of artefacts, it can provide impulses for temporary, site-specific exhibitions. As a portable and mobile system, the museum can be transported in a bag, placed on a dining table or exhibited in a museum hall.
“Museum.Delivery” is a performative action that questions the sense and need for museality. Depending on the place, time and participants, the architecture of relations reveals the potential of spatial and social situations to form a temporary museum of the here and now. It can be composed at home, in the office, at school or directly on the street, shown among friends or become a public event or remain in a private setting.
“Museum.Delivery” was launched in 2018 by the micro-artist group “Gorod Ustinov” as part of a residency at the “Gleis70” cooperative in Zurich. In 2022, the name and symbolic function of the practice changed to “Embassy of Microterritories”. The artists Natalia Peredvigina and Kirill Agafonov left militarised Russia. In exile, they presented their works and personal micro-territories, which they carried with them in a diplomatic briefcase. During their 18-month migration through several countries, they offered public discussions and a shared artistic practice, collecting stories and artefacts from the micro-territories of others.
Kirill Agafonov meanwhile lives in Zurich. He is developing the idea of the micro-territory and is working on a continuation of “Museum.Delivery”. In the form of a set of objects and a parcel, it becomes a vehicle of cultural exchange between different countries to which those around him have had to migrate and in which they establish new personal, professional and cultural connections.
“A museum is something that has not yet happened”. Based on this formula, a museum can be created anywhere. Through interactions as well as the circulation of artefacts, it can provide impulses for temporary, site-specific exhibitions. As a portable and mobile system, the museum can be transported in a bag, placed on a dining table or exhibited in a museum hall.
“Museum.Delivery” is a performative action that questions the sense and need for museality. Depending on the place, time and participants, the architecture of relations reveals the potential of spatial and social situations to form a temporary museum of the here and now. It can be composed at home, in the office, at school or directly on the street, shown among friends or become a public event or remain in a private setting.
“Museum.Delivery” was launched in 2018 by the micro-artist group “Gorod Ustinov” as part of a residency at the “Gleis70” cooperative in Zurich. In 2022, the name and symbolic function of the practice changed to “Embassy of Microterritories”. The artists Natalia Peredvigina and Kirill Agafonov left militarised Russia. In exile, they presented their works and personal micro-territories, which they carried with them in a diplomatic briefcase. During their 18-month migration through several countries, they offered public discussions and a shared artistic practice, collecting stories and artefacts from the micro-territories of others.
Kirill Agafonov meanwhile lives in Zurich. He is developing the idea of the micro-territory and is working on a continuation of “Museum.Delivery”. In the form of a set of objects and a parcel, it becomes a vehicle of cultural exchange between different countries to which those around him have had to migrate and in which they establish new personal, professional and cultural connections.
“A museum is something that has not yet happened”. Based on this formula, a museum can be created anywhere. Through interactions as well as the circulation of artefacts, it can provide impulses for temporary, site-specific exhibitions. As a portable and mobile system, the museum can be transported in a bag, placed on a dining table or exhibited in a museum hall.
“Museum.Delivery” is a performative action that questions the sense and need for museality. Depending on the place, time and participants, the architecture of relations reveals the potential of spatial and social situations to form a temporary museum of the here and now. It can be composed at home, in the office, at school or directly on the street, shown among friends or become a public event or remain in a private setting.
“Museum.Delivery” was launched in 2018 by the micro-artist group “Gorod Ustinov” as part of a residency at the “Gleis70” cooperative in Zurich. In 2022, the name and symbolic function of the practice changed to “Embassy of Microterritories”. The artists Natalia Peredvigina and Kirill Agafonov left militarised Russia. In exile, they presented their works and personal micro-territories, which they carried with them in a diplomatic briefcase. During their 18-month migration through several countries, they offered public discussions and a shared artistic practice, collecting stories and artefacts from the micro-territories of others.
Kirill Agafonov meanwhile lives in Zurich. He is developing the idea of the micro-territory and is working on a continuation of “Museum.Delivery”. In the form of a set of objects and a parcel, it becomes a vehicle of cultural exchange between different countries to which those around him have had to migrate and in which they establish new personal, professional and cultural connections.