Ballettwerkstatt 2014
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2040 Inhalte
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Listening Across the Borders
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- Untertitel
- 2024 ZHdK Fonds für interkulturelle Dozierenden-/Mittelbau-Projekte
- Autor/in
- Datierung
- 2024
- Beschreibung
- Ein interkulturelles Projekt zu Klangidentitäten im Nahen Osten und in Mitteleuropa.
Das Projekt «Listening Across the Borders» zielt darauf ab, zu erforschen, wie Identität sich durch Klang und Zuhören in den Regionen des Nahen Ostens und Mitteleuropas manifestiert. Inmitten der aktuellen Konfliktsituation in Israel und Palästina, geprägt von politischen und sozialen Spannungen, strebt die Initiative danach, neue Ausdrucks- und Kommunikationskanäle zwischen Künstler:innen aus Israel, der arabischen Welt und Europa zu schaffen. Die Schaffung sicherer Räume für Zusammenarbeit ermöglicht eine Reflexion über Identitäten und ihre Manifestation im Bereich des Klangs und Zuhörens, welche verschiedene, durch Narrative auferlegten Barrieren überwindet und einen fruchtbaren Boden für Dialog und gegenseitiges Verständnis bietet.
Das Projekt vereint Künstler:innen und Lehrende mit israelischen, arabischen und europäischen Hintergründen, um Aspekte des Klangs und Zuhörens aus künstlerischer und identitätsbezogener Perspektive zu behandeln. Durch die Konzentration auf klangliche Phänomene können die Teilnehmenden gemeinsame Narrative und Erfahrungen erkunden, die eine Plattform für kreative Ausdrucksformen bieten, die über politische Einschränkungen hinausgehen. Die Sensibilisierung für aktives Zuhören und das gemeinsame Erstellen von Klangwerken werden als wirksame Mittel zur Errichtung kultureller Brücken, zur Förderung von Empathie und zur Vertiefung des Verständnisses zwischen betroffenen Gemeinschaften dargestellt.
Die Ziele des Projekts umfassen die Erforschung von Klangidentitäten durch musikalische Improvisation und kollektive Schöpfung, die Förderung des kulturellen Austauschs zur Bereicherung des gegenseitigen Verständnisses und die Förderung der narrativen Flexibilität durch die Identifizierung von Dimensionen des Zuhörens, die bestehende Identitätsnarrative herausfordern können.
Das Projekt wird in sechs Phasen entwickelt, von der Sensibilisierung für das Zuhören bis zur Bewertung und Dokumentation. Face-to-Face- und virtuelle Workshops, kreative Sitzungen, die Remote-Erstellung gemeinsamer Werke und Veranstaltungen werden Teil dieses Prozesses sein, der in der Sammlung von Feedback, umfassender Dokumentation, Bewertung, Workshops und Vorträgen über den kulturellen und künstlerischen Einfluss des Projekts gipfelt.
- Ein interkulturelles Projekt zu Klangidentitäten im Nahen Osten und in Mitteleuropa.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- Listening Across the Borders
- Dozierende/Projektleitung
- Diego Kohn
- Importiert am
- 05.05.2024
- Übergeordnete Sets
- 1
- Set enthält
- 0 5
Creating Neighbourhood
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Author that can easily go onto 2 lines as well
- Untertitel
- 2024 ZHdK Fonds für interkulturelle Dozierenden-/Mittelbau-Projekte
- Autor/in
- Datierung
- 2024
- Beschreibung
- «Creating Neighbourhood» initiiert einen transkulturellen Austausch zwischen der benachbarten Zürcher Hochschule der Künste (ZHdK) und dem Bundesasylzentrum Zürich (BAZ). Das Projekt versteht sich als «Enablement» im Sinn sozialer Nachhaltigkeit, um Angebote der ZHdK für kulturschaffende und kulturinteressierte Bewohner:innen des BAZ zu öffnen, das Engagement von Studierenden im BAZ zu fördern, Begegnungsräume zu schaffen und partizipative Formate zu entwickeln.
Methoden:
«Creating Neighbourhood» ist ein Impuls aus dem Departement Design. Seit 2020 wird die Kooperation mit Asylsuchenden und Betreuenden des BAZ sowie Verantwortlichen des Staatssekretariats für Migration in Lehrveranstaltungen von «Trends & Identity» produktiv betrieben, um die Situation der Bewohner:innen des Zentrums durch partizipative Gestaltungsprozesse zu verbessern. 2023 gelangten die Mitarbeitenden des BAZ mit dem Wunsch an die ZHdK, die fruchtbare Beziehung zu erweitern und zu vertiefen. Das Projekt umfasst drei Themen:
• Das Öffnen ausgewählter Veranstaltungen der ZHdK für Asylsuchende und Angebote zu informellem Austausch und zur Teilhabe;
• Die Neugestaltung des Frauenraums im BAZ und die Durchführung gestalterischer Workshops durch Studierende der ZHdK;
• eine Gestaltung im Aussenraum des BAZ durch Design-Studierende
Zielsetzung:
Das wesentliche Ziel ist, Berührungsängste, die dem BAZ gegenüber bestehen, abzubauen und die Nachbarschaft als Ressource zu erkennen und anzunehmen. Der Schritt zum «Enablement» erfolgt durch Aktivierung des Interesses in den Departementen und durch die Schaffung einer einfachen, nachhaltigen, strukturellen Basis für die selbstorganisierte Gestaltung einer lebendigen Nachbarschaft. Interessierte Asylsuchende finden an der ZHdK Anregung und Begegnung mit der hiesigen Kultur und Ausbildung sowie ein Stück «Normalität» in ihrer Ausnahmesituation. An der ZHdK wächst durch die Begegnung mit Menschen aus anderen Kulturen die Kompetenz zu den Themen «Migration» und «transkulturelle Kommunikation».
Schlussfolgerung:
Im Kontext der Hochschule diskutieren wir Theorien der Diversität, der Identität und der postmigrantischen Schweiz. Der direkte Austausch mit Menschen, die andere kulturelle, gesellschaftliche, politische Erfahrungen mitbringen, kann ein wesentlicher Beitrag zur Differenzierung dieses Diskurses sein.
- «Creating Neighbourhood» initiiert einen transkulturellen Austausch zwischen der benachbarten Zürcher Hochschule der Künste (ZHdK) und dem Bundesasylzentrum Zürich (BAZ). Das Projekt versteht sich als «Enablement» im Sinn sozialer Nachhaltigkeit, um Angebote der ZHdK für kulturschaffende und kulturinteressierte Bewohner:innen des BAZ zu öffnen, das Engagement von Studierenden im BAZ zu fördern, Begegnungsräume zu schaffen und partizipative Formate zu entwickeln.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- Creating Neighbourhood
- Dozierende/Projektleitung
- Barbara Liebster
- Importiert am
- 28.02.2024
- Übergeordnete Sets
- 1
- Set enthält
- 0 1
Sense of a Place
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Author that can easily go onto 2 lines as well
- Untertitel
- 2024 ZHdK Fonds für interkulturelle Dozierenden-/Mittelbau-Projekte
- Autor/in
- Datierung
- 2024
- Beschreibung
- Das Projekt schlägt einen interkulturellen Austausch zwischen je drei Kunststudierenden aus Mexico City und Zürich vor und mündet in einer Ausstellung. Über die Auseinandersetzung mit dem «Sense of a Place» (Lucy L. Lippard, 1997) und den künstlerischen Strategien, sich einem Ort zu nähern, erarbeiten die Studierenden ein eigenständiges Projekt, über die Spezifik eines ihnen bekannten Orts, für einen virtuellen Ausstellungskontext. Die Beschäftigung mit bekannten lokalen Gegebenheiten kontrastiert mit überholten Methoden des Erkundens «des Anderen». Das vorgeschlagene Projekt geht von postkolonialen Ansätzen und einem kritischen Verständnis von Kunst im globalen Kontext aus, widersetzt sich binären Vorstellungen von Zentrum und Peripherie im Kunstfeld und will anhand von Grassroots-Perspektiven Diversität und lokale ästhetische Praxen und Diskurse mit internationaler Relevanz fördern. Der interkulturelle Austausch findet im Dialog, in vorgängigen Workshops via Zoom sowie über die Erfahrung der Werke der anderen Teilnehmer:innen statt. Die Diskussionen der Studierenden über ihre Zugänge zu Orten und ihren Imaginationsräumen zu ihnen unbekannten physischen Orten werden in den Workshops mit Inputs von Gästen ergänzt.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- Sense of a Place
- Dozierende/Projektleitung
- Johanna Vieli
- Importiert am
- 05.05.2024
- Übergeordnete Sets
- 1
- Set enthält
- 0 1
The transformational journey of movement
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- Untertitel
- Diplom MA Dance, Teaching and Coaching Dance
- Autor/in
- Datierung
- Jun 24
- Beschreibung
- BIOGRAPHY
I am Clara Thierry, a contemporary dancer born and raised in Mauritius. Over the past two years, I have been based in Switzerland, where I am currently completing my master's studies in teaching and coaching dance to professionals at the Zurich University of the Arts (ZHdK).
Prior to moving to Switzerland, I gained valuable experience working at the Mainfranken Theatre Würzburg under the direction of Dominique Dumais, as well as with the Tanzcompagnie Giessen with Tarek Assam and a diverse range of choreographers.
Previously I was at Rudra Bejart School and Cinevox Junior Company.
DIPLOMAPROJECT
For my Master project, I am developing a website that offers a 21-day program designed to support injured dancers in their recovery journey.
It's a comprehensive toolkit of self-care practices, drawing from various techniques, to guide dancers on their healing journey. Physical injury often prompts a reconnection with ourselves, and my goal is to empower individuals to understand the transformative role of movement in healing. Through exercises targeting body, mind, and emotions, participants gain the tools and support they need to navigate their recovery journey with grace and resilience.
- BIOGRAPHY
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Studienabschnitt
- Projekttitel auf deutsch
- The transformational journey of movement
- Dozierende/Projektleitung
- The transformational journey of movement
- Importiert am
- 01.05.2024
- Übergeordnete Sets
- 1
- Set enthält
- 0 2
The artistry behind the curtain
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- Untertitel
- Diplom BA Contemporary Dance
- Autor/in
- Datierung
- Jun 24
- Beschreibung
- BIOGRAPHY
I was born in 2002 in Livorno, Italy. At the age of four, I entered the dance studio and haven't left until today. After studying in different dance schools in Italy I was admitted at the Zurich University of the Art in 2021.During this year I had the opportunity to be able to work with choreographers such as Dunja Jocic, Nadav Zelner, Didy Veldman and many more.
In this last year of university I am joining Scapino Ballet Rotterdam as an intern and joining the company in the production " Song of the dark forest" and "Origin".
DIPLOMAPROJECT
Behind the scenes, a dancer's journey is a careful and complex process that involves both physical and mental preparations. It all starts with an important warm-up routine to get the body ready for the upcoming performance. Moving beyond just the body, mental preparation becomes a big part of the process. As the performance gets closer, the dancer shifts to the routine of putting on makeup and costumes. This short film shows the careful work and dedication put into each moment, conducting in a journey that goes beyond just the physical aspects of dance, capturing the true essence of artistic expression.
- BIOGRAPHY
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Studienabschnitt
- Importiert am
- 30.04.2024
- Übergeordnete Sets
- 1
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- 0 4
Boundless Beats
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- Untertitel
- Diplom BA Contemporary Dance
- Autor/in
- Datierung
- Jun 24
- Beschreibung
- BIOGRAPHY
My name is Lorenzo Capecci and I was born in Italy. I started dancing by taking Hip Hop and BreakDance classes and after two years I was also studying Ballet and contemporary dance.
In 2021 I graduated from the Dance High School of Teramo and I joined the Bachelor Contemporary program of the ZHdK. Here I had the chance to improve my technique, to explore my style and to work with important choreographers such as Dunja Jocic, Nadav Zelnar. I am attending my third year of University as a stagier at Scapino Ballet Rotterdam having the opportunity to tour in the Netherlands with the company.
DIPLOMAPROJECT
Globalization is a process wherein diverse cultures have the opportunity to come into contact and be influenced by each other. This happened in the dance field around the 2000s, when contemporary dance met various other styles, that helped to create different nuances of it, in the period that we now call Fusion Dance. With this project I want to investigate where urban dance and contemporary dance meet and contrast, to research where the boundaries are and explore how contemporary dance can be inspired by different beats.
- BIOGRAPHY
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Studienabschnitt
- Importiert am
- 30.04.2024
- Übergeordnete Sets
- 1
- Set enthält
- 0 4
ripped with care
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- Untertitel
- Diplom BA Contemporary Dance
- Autor/in
- Datierung
- Jun 24
- Beschreibung
- BIOGRAPHY
My name is Marie da Silva and I was born and raised in the south of Germany.
Growing up in a small city surrounded by a loving and supporting family I found myself thriving in arts and especially dance.
After graduating school I started studying Contemporary Dance at the ZHdK in 2020 and got the chance to get to know myself and my moving body better.
Currently I am interning with the MN Dance Company under the direction of Natja Bremec and Michal Rynia.
This step wasn’t only a step towards independence but also confirmed my strong will to make it in this industry.
DIPLOMAPROJECT
Chiaroscuro is an artistic technique that uses strong contrast between light and dark to create a sense of volume and three dimensionality often found in portraits and still lifes of the renaissance but also in the baroque and romantic period.
In the context of this film I’m playing with that term in movement textures and visual approaches.
The pomegranate is used as a symbol for abundance, resurrection, recovery and femininity. It also often reocurs in still lifes. The brutal act of peeling the fruit reflects and echoes the balance of joy and challenge of human experience.
Shedding layers of clothing resembles ripping layers of the pomegranates skin before you reach the precious insides. Is the work you put in, the mess, the stain worth the sweet but sour seed?
- BIOGRAPHY
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Studienabschnitt
- Importiert am
- 30.04.2024
- Übergeordnete Sets
- 1
- Set enthält
- 0 8
Bottomless Vessel
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Author that can easily go onto 2 lines as well
- Untertitel
- Diplom BA Contemporary Dance
- Autor/in
- Datierung
- Jun 24
- Beschreibung
- BIOGRAPHY
Hello, nice to meet you, I’m Coko. And yes, that is indeed my name written on my passport. ;) I am also known as Cokita amongst my friends and I like the nice kick this nickname gives me.
I am an artist and dance has been accompanying me for almost my whole life. I would lie if I say I always loved it. But the one thing that I cherish at any time is that no matter where you’re from, no matter what language you speak, you can always connect with dance. It doesn’t have to be professional, doesn’t have to be pretty, nor good, it just has to come from your heart. And boy it took me long to realize that.
DIPLOMAPROJECT
Starting from the idea that the human is a vessel where emotions, thoughts and feelings are generated. Where and how to store them? Where and how to get rid of them? Is there a limit to the emission of our inner storm? Is there a limit to the capacity of our inner storage?
All the invisible unexplainable reality transforming, devouring, flourishing in a human mind and body.
All of it in every single one of us. All of it in one single body.
- BIOGRAPHY
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Studienabschnitt
- Importiert am
- 30.04.2024
- Übergeordnete Sets
- 1
- Set enthält
- 0 5
How does one touch a face
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- Untertitel
- Diplom BA Contemporary Dance
- Autor/in
- Datierung
- Jun 24
- Beschreibung
- BIOGRAPHY
Antonija is a multidisciplinary artist born in 2002 in Kumanovo, Macedonia. Her main focus is exploration of self and interpersonal relationships in a very raw and honest way told predominantly through movement and physicality. In her art practice she experiments with dance, film, video and performance art.
Growing up as the daughter of a dance studio owner and choreographer, Antonija was immersed in dance from an early age. As part of Dance Studio Ultra, she was taking classes in contemporary, jazz, modern and hip hop dance, where she competed and won more than 50 awards as a soloist and in group dances all over Europe. In her childhood she was also taking theatre, music, photography and drawing classes.
Her high school days were spent in State Music and Dance Educational Center “Ilija Nikolovski – Luj” in Skopje, Macedonia where her main focus was contemporary dance. Parallel to her high school education she collaborated with Skopje Dance Theatre, while also teaching and choreographing at her own dance studio.
Antonija's educational journey continued as she became the first Macedonian to pursue a bachelor's degree from Zurich University of the Arts in Switzerland, specializing in contemporary dance. Studying in Zurich offered her great opportunities for collaboration and learning from top professionals in the field. She gets acquainted with new dance techniques and methods, and collaborates with many internationally renowned choreographers from Europe and Asia. As part of Zurich University of the Arts, Antonija gets an opportunity to study abroad for a full year at California Institute of the Arts in Santa Clarita, California, USA. In California is where Antonija delves more into other art practices besides dancing and finds herself creating and experimenting more.
Right now Antonija is living in Los Angeles, finishing her year abroad at California Institute of the Arts. She will be graduating from Zurich University of the Arts in June 2024 with a bachelor thesis named “How does one touch a face” which consist from live performance, video installation and written thesis.
DIPLOMAPROJECT
As a dancer I am hyper aware of how people physically interact with one another. I always catch myself analyzing why and how people will touch me. Whatever that may be, a handshake, a hug, just a tap on the shoulder or a more intimate touch depends on the relationship I have with that person. I have noticed since I moved to Switzerland two years ago, and now United States of America that people are not as open and physical with one another as in where I come from, Macedonia.
In general in the world people do not really touch each other faces at all. My interest is how would one touch a face if it is allowed to them to interact/touch with my face without given very specific directions, or the only prompt is touch/interact with my face. Will everyone use their hands only? Will they use another body part? What happens if it is someone I have never met? Is it going to be emotional or purely physical? Will someone try to slap me? Or lick me or spit on me? Will they reenact a touch they already they experienced or they will try something they never tried before?
- BIOGRAPHY
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Studienabschnitt
- Importiert am
- 30.04.2024
- Übergeordnete Sets
- 1
- Set enthält
- 0 8
Au delà des scènes
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Author that can easily go onto 2 lines as well
- Untertitel
- Diplom BA Contemporary Dance
- Autor/in
- Datierung
- Jun 24
- Beschreibung
- BIOGRAPHY
My name is Mya Flieger, born and raised in Geneva, Switzerland, in 2002. Dance has been pivotal since childhood. At the age of 10, I joined Concervatoire Populaire de Genève, where I discovered contemporary dance under Lucy Nightingale's guidance. In 2017, I pursued formal dance training at Centre de formations professionnelles des Arts de Genève. Accepted into Zurich University of the Arts in 2020 for a Bachelor's in contemporary dance, I collaborated with esteemed choreographers, expanding my horizons. Currently in my final year, I interned at JUNGES Staatstheater in Braunschweig, Germany, with choreographer Barbara Fuchs until December 2023. These experiences shape my identity as an artist, fuelling my passion to explore the endless possibilities of dance.
DIPLOMAPROJECT
What if I danced outside a studio, a theatre or even just a space dedicated to dance? Based on this idea, my video project aims to highlight the richness of contemporary dance in unconventional environments. This practice may seem challenging, but in reality it is very rewarding and enriching. As you explore different spaces throughout my video project, you will see that the body responds differently to each place.
- BIOGRAPHY
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Studienabschnitt
- Projekttitel auf deutsch
- Au delà des scènes
- Importiert am
- 30.04.2024
- Übergeordnete Sets
- 1
- Set enthält
- 0 4
Mirror,Mirror
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Untertitel
- Diplom BA Contemporary Dance
- Autor/in
- Datierung
- Jun 24
- Beschreibung
- BIOGRAPHY
I come from Italy where I grew up on bread and art: since childhood I’ve had an interest in physical expression; thanks to my family I discovered dance and other facets of art such as singing and acting. To complete my studies at ZHdK, I undertook an internship at Tanz_Kassel: the artistic experience I've gained strengthened my individual identity as a dancer and human. Dance's always been a therapy to fulfill my needs.You can dance with yourself or connect with other souls. My dance is grounded as much as my soul. I wish for myself to always be taken by surprise by dance and to grow with it.
DIPLOMAPROJECT
When small children begin to recognise their own reflection, this phase of development is called the "mirror phase".Recognising ourselves includes discovering our emotions through our bodies. In Mirror, Mirror, this is explained through a game. Dance mediator Keiko Okawa and dancers from TANZ_KASSEL play their way through bodies and emotions: from the tip of the nose to the big toe, from wild anger to joyful curiosity.A concept of Animated puzzle that pushes a young audience to recognise themselves in relation to others, as a whole but articulated body that can contain a myriad of emotions.
- BIOGRAPHY
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Studienabschnitt
- Projekttitel auf deutsch
- Mirror,Mirror
- Importiert am
- 30.04.2024
- Übergeordnete Sets
- 1
- Set enthält
- 0 5
Closed doors
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Untertitel
- Diplom BA Contemporary Dance
- Autor/in
- Datierung
- Jun 24
- Beschreibung
- BIOGRAPHY
I am Lucie Froehlich, and was born in France in 2003. Since the age of 12, I studied ballet in Montreal, Canada. During Covid, I had the strong need to express myself differently. This interest led me to move to Zurich and complete my bachelor in Contemporary Dance at ZHdK. Dance allows me to connect with myself by the expression of emotions and mind through the body. I have spent the last year as an intern at Theater Plauen-Zwickau. I am excited to keep growing as an artist and the opportunities the future holds.
DIPLOMAPROJECT
It is their closed doors and private language that alienate people, a form of living death occupies our lives. The isolation and inability we have to communicate with each other testify of the society we live in. Closed Doors approaches the loneliness we bear in difficult times is harder than the emotions themselves.
A dance film in collaboration with Minsu Kim. Special thanks to the dancers Veronica Sala,
Davide Gentilini, Jieun Choi, Minsu Kim.
- BIOGRAPHY
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Studienabschnitt
- Projekttitel auf deutsch
- Closed doors
- Importiert am
- 30.04.2024
- Übergeordnete Sets
- 1
- Set enthält
- 0 4