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Bachelor Contemporary Dance presents:

 
Bild: Bachelor Contemporary Dance presents:

Bachelor Contemporary Dance presents:

      Titel
      • Bachelor Contemporary Dance presents:
      Untertitel
      • Marine Besnard, Alba Castillo, Caroline Finn, Compagnie Linga Guido Markowitz & Damian Gmür
      Datierung
      • 02.07.2021
      Beschreibung
      • Programme 1

        AGEING YOUNG REBEL
        Choreography // CAROLINE FINN
        Music // Demdike Stare, DJ Food & Ken Nordine, David Lynch
        Choreographic Assistance // Mark Wuest
        Costumes // Berend Voorhaar und Sabrina Zyla, Karisma-Costumes
        Dancers // Marta Allocco, Julian Beairsto, Beatrice Castaldo, Giusy Fanaro, Nicole Llaurado, Marta Llopis, Lavinia Tinagli, Gion Treichler, Sophie Van Doorn, Alieke Vinkenborg

        An exceptionally condensed tale of a bumpy road that’s peppered with unexpected encounters. Coming face to face with the most monstrous and contradictory reflections of himself, our rebel hero is abruptly propelled towards the prime of his life.


        LAST ONE STANDING
        Concept and Choreography // MARINE BESNARD
        Music // Charles Mugel
        Choreographic Assistance // Evelin Skarlatos
        Costumes // Berend Voorhaar und Sabrina Zyla, Karisma-Costumes
        Dancers // Martina Balzamo, Lukas Bisculm, Alice Cofone, Jessica Eksteen, Lia Lütolf, Grazia Scarpato

        Hope flickers. Will our instinct keep us alive? A second chance?

        RUN 18.6
        Choreography // GUIDO MARKOWITZ & DAMIAN GMÜR
        Sounddesign // Fabian Schulz
        Choreographic Assistance // Mark Wuest, Cathy Sharp
        Costumes // Berend Voorhaar und Sabrina Zyla, Karisma-Costumes
        Dancers // Marta Allocco, Beatrice Castaldo, Giusy Fanaro, Nicole Llaurado Neve, Marta Llopis, Lavinia Tinagli, Gion Treichler, Sofie Van Doorn, Alieke Vinkenborg
        Die Choreografen Guido Markowitz und Damian Gmür, die Leiter des Ballett Theater Pforzheim, stellten emotionale und existenzielle Aspekte des Menschseins an den Anfang ihrer Kreation. Ängste, gar Verzweiflung, aber auch Kampfbereitschaft, Sehnsüchte und Träume inspirierten die Künstler zusammen mit den Studierenden zu einer Choreografie voller Bildkraft, Gegensätzlichkeit und wilder Zartheit. Kreativ, energetisch und physisch wurden die Impulse in Bewegung gebracht und choreografisch gestaltet.

        THINKING OUT LOUD
        Choreography // ALBA CASTILLO
        Music // Nils Frahm, Albums: Spaces, Felt: Family
        Choreographic Assistance // Mark Wuest
        Costumes // Berend Voorhaar und Sabrina Zyla, Karisma-Costumes
        Dancers // Martina Balzamo, Lukas Bisculm, Alice Cofone, Jessica Eksteen, Lia Lütolf, Grazia Scarpato

        The work explores the idea of thought. Examining an imaginary space of the mind where ideas are created and stored. Human beings have the ability to share those thoughts aloud, but we don't always have the courage to do so. The work is a journey to connect with our thoughts and share them with the world.
         
        COS
        Choreography // KATARZYNA GDANIEC & MARCO CANTALUPO | COMPAGNIE LINGA
        Music // l’Ombre de la Bête
        Assistant // Cindy Villemin
        Choreographic Assistance // Denise Lampart, Cathy Sharp
        Costumes // Berend Voorhaar und Sabrina Zyla, Karisma-Costumes
        Dancers Friday, Sunday // Marta Allocco, Beatrice Castaldo, Giusy Fanaro, Nicole Llaurado, Marta Llopis, Lavinia Tinagli, Sofie Van Doorn, Alieke Vinkenborg
        Dancers Saturday: Marta Allocco, Beatrice Castaldo, Giusy Fanaro, Nicole Llaurado, Marta Llopis, Lavinia Tinagli, Gion Treichler, Sofie Van Doorn

        Since many years we have been exploring group choreography, and the art of creating on stage, with a group of performers, a moving organism capable of forming and breaking down into flexible and fluid formations, which is the sum of its thinking cells, creating a collective consciousness. A world enriched by the multiform harmony of its different elements, the acceptance of individual differences, their valorization and visibility.

        COS, excerpt of our last work Cosmos, is the outcome of this exploration with the students of the ZHdK, the conjunction of trajectories and geometries, rotations and revolutions. And new scenic orbits.


        Programme 2

        THE RUN work in progress
        Choreography // MUHAMMED KALTUK
        Music // Woodkid – Iron Acoustic, Run Boy Run
        Choreographic Assistance // Denise Lampart
        Costumes // Berend Voorhaar und Sabrina Zyla, Karisma-Costumes
        Dancers // Jacopo Bellani, Luke Bugeja Gauci, Giovanna Doria, Célia Lachat, Chloé Mallet, Sara Pigatto, Maren Kathrin Sauer, Veronica Scanferla
        Choreograf Muhammed Kaltuk erarbeitet mit Studierenden des 1. Jahrgangs eine abstrakte Skizze, die sich an den Themen Kampf, Zusammenhalt, Alleinsein abarbeitet. Das Arbeitsprinzip von Kaltuk ist immer erst das Entdecken der individuellen Potenziale der Tänzer:innen, mit denen er arbeitet. Damit als Ausgangsmaterial startet er in den Probenprozess. Er bringt die Tänzer:innen an ihre physischen Grenzen, fordert sie heraus und kombiniert das Bewegungsmaterial mit seiner eigenen Formsprache.
        Den Rahmen bildet die Musik von Woodkid, in der es um den Kampf von Unschuld und Versuchung, um die große Angst vor dem Leben und um die Entscheidungen geht, entweder zu beißen oder gebissen zu werden. Kaltuk sucht mit den jungen Studierenden, die ganz am Anfang stehen, nach Ängsten, nach den Kämpfen, nach den Verlusten, an denen man wächst. Entstanden sind sechs Minuten absoluter Zerrissenheit, in denen alle Sicherheit zerlegt wird.

        AISLING
        Choreography // DOR MAMALIA & DARIUSZ NOWAK | HUMAN FIELDS
        Music // Sergei Rachmaninoff, Morceaux de fantaisie, Op. 3: No. 1, Élégie, performed by Konstantin Scherbakov, Alessandro Scarlatti, Il giardino di Rose (Oratorio La Santissima Vergine del Rosario): "Mentre io godo" (Aria della Speranza), performed by Cecilia Bartoli, Les Musiciens du Louvre & Marc Minkowski – Speaker: Sophie Feige
        Choreographic Assistance // Arman Grigoryan
        Costumes // Berend Voorhaar und Sabrina Zyla, Karisma-Costumes
        Dancers // Gianna Bassan, Luca Di Giorgio, Viviane Von Gunten, Camille Zany


        My heart born naked
        was swaddled in lullabies.
        Later alone it wore
        poems for clothes.
        Like a shirt
        I carried on my back
        the poetry I had read.
        So I lived for half a century
        until wordlessly we met.
        From my shirt on the back of the chair
        I learn tonight
        how many years
        of learning be heart
        I waited for you."
        —John Berger


        THINKING OUT LOUD
        Choreography // ALBA CASTILLO
        Music // Nils Frahm, Albums: Spaces, Felt: Family
        Choreographic Assistance // Mark Wuest
        Costumes // Berend Voorhaar und Sabrina Zyla, Karisma-Costumes
        Dancers // Martina Balzamo, Lukas Bisculm, Alice Cofone, Jessica Eksteen, Lia Lütolf, Grazia Scarpato

        The work explores the idea of thought. Examining an imaginary space of the mind where ideas are created and stored. Human beings have the ability to share those thoughts aloud, but we don't always have the courage to do so. The work is a journey to connect with our thoughts and share them with the world.

        CRY BABY CRY
        Choreography // JOOST VROUENRAETS
        Music // Marlene Deitrich, Janis Joplin, Johnny Cash, James Brown
        Choreographic Assistance // Mark Wuest
        Costumes // Berend Voorhaar und Sabrina Zyla, Karisma-Costumes
        Dancers Friday, Sunday // Chloe Mallet, Célia Lachat, Maren Kathrin Sauer
        Dancers Saturday // Giovanna Doria, Sara Pigatto, Veronica Scanferla

        Three generation-Z dance students sharing stage with four 20th century pop giants. Two generations united in a single dance. A choreographic work composed with secret physical language derived from personal memories, flashbacks and images of childhood. Born as babies, we grow up as babies, remain babies and die as babies. Sometimes we need to cry, and sometimes we need to cry. All of us, right?

      Schlüsselwörter
      Bereich ZHdK
      Studienabschnitt
      Kunstgattung / Disziplin

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