Creating Commons
Creating Commons
Shusha Niederberger; Cornelia Sollfrank; Felix Stalder
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26 Inhalte
- Seite 1 von 3
Working with the Paradoxes of Technology
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- Untertitel
- Interview with Marek Tuszynski
- Autor/in
- Datierung
- 16.9.2018
- Schlüsselwörter
- Beschreibung
- In this interview, Marek Tuszynski, one of the two co-founders of Tactical Tech, explains what the goals of their non-profit organization are, how it is structured, how it aims to reach a wide audience through a variety of public engagements, and what its basic assumptions are. Originally dedicated to train human rights defenders and social justice activists in safe handling of technology, the organization has expanded over time and now also provides easily accessible information about critical use of technology for the average user. This is mainly done through exhibitions, workshops and freely accessible training materials on its website. Working with the paradoxes of technology means for TT to present technology, information and data in all their ambiguity, raising awareness of the political aspects of technology, including both empowerment and disenfranchisement.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- creating commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 17.12.2019
- Übergeordnete Sets
- 1
Thick Webs & Continuous Relays: Feminist Epistemologies for the Digital Commons
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- Untertitel
- Lecture by Isabel de Sena
- Autor/in
- Datierung
- 11.10.2019
- Schlüsselwörter
- Beschreibung
- This talk examines several feminist concepts that are relevant for envisioning the (digital) commons. What they share is an understanding of knowledge as that which occurs by sustaining relational webs and ongoing relays, rather than as the endpoint of linear progressions.
Isabel discusses firstly Ursula Le Guin’s The Carrier Bag Theory of Fiction (1986), in which she urges that the first piece of technology was not a weapon but a bag for carrying seeds, asserting that the function of technology is not a resolution but a continuing process. Donna Haraway’s concept of “string figures” builds further on Le Guin by proposing how distributed forms of access to and dissemination of knowledge can give rise to collective agency, while Karen Barad’s diffractive methodology contributes to envisioning the commons as something that necessarily involves a constant transformation of knowledge – regarding both the objects of inquiry and the apparatus (resources, discourses) through which they are viewed. This is relevant for addressing how the commons can produce situated knowledges (Haraway) and understanding how its collective nature only seemingly suggests that it conflicts with the partial positionings of individuals within a collective.
Isabel de Sena is a curator, author, and lecturer based in Berlin. She is working on the Philosophy and Aesthetics of Science and has published internationally. She has worked as a curator for institutions like Martin-Gropius Bau here in Berlin and others abroad. She is currently teaching at NODE Center for Curatorial Studies in Berlin and as a guest lecturer at CalArts in California.
- This talk examines several feminist concepts that are relevant for envisioning the (digital) commons. What they share is an understanding of knowledge as that which occurs by sustaining relational webs and ongoing relays, rather than as the endpoint of linear progressions.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- creating commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 17.12.2019
- Übergeordnete Sets
- 1
The Practice of Sharing Knowledge
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- Untertitel
- Interview with Sean Dockray
- Autor/in
- Datierung
- 19.10.2017
- Schlüsselwörter
- Beschreibung
- Sean Dockray is an artist and initiator of the knowledge-sharing platforms The Public School and aaaaarg.
aaaaarg is an online library and open-source platform for freely sharing books and texts. It has its origin in collaborative working groups where resources were gathered in ‘online bookshelves.’ The project eventually evolved as part of the self-organized educational project known as The Public School where it served as a repository for shared study materials. From there it grew to become a major online resource for publications in the field of philosophy, art and political theory with tens of thousands of users, containing material in many different languages. The underlying infrastructure, as well as the contents, are the result of a collaborative effort to which various programmers and the users and editors of the site regularly contribute.
- Sean Dockray is an artist and initiator of the knowledge-sharing platforms The Public School and aaaaarg.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- creating commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 17.12.2019
- Übergeordnete Sets
- 1
The Micropolitics of Publishing
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- Untertitel
- Interview with Eva Weinmayr
- Autor/in
- Datierung
- 15.09.2018
- Schlüsselwörter
- Beschreibung
- Eva Weinmayr is an artist, designer, educator, and researcher based in London. Her long-standing engagement with digital and print publishing includes projects such as The Piracy Project, AND Publishing and other practice experiments that are all based on the idea of alternative knowledge production and the exploration of the agency of books.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- creating commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 17.12.2019
- Übergeordnete Sets
- 1
Rethinking the Art School
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- Untertitel
- Lecture by Laurence Rassel
- Autor/in
- Datierung
- 01.03.2018
- Schlüsselwörter
- Beschreibung
- A school of art is a zone of convergence studded with a multiplicity of individuals, things and flows, stories, fictions, and stagings, with social, cultural, material, singular and interacting asperities. And it is also a common territory by default: if we choose to come there to work or to study, we do not choose those with whom we will share this ephemeral biotope.
Taking her current position as head of the Brussels-based art school e.r.g (Ecole de Recherche Graphique) as a starting point, Laurence Rassel reflects in her talk about how the art school as an institution can be conceived as an environment for developing a sense of collectivity. Assuming the double definition of the word “institution” as a potential to be developed as well as an established form, Rassel identifies alienation where the “instituted” takes precedence over the “instituting.”
In her work, the common is thought and will be constructed as the result of an action composed of the differences in presence. The common will not erase these differences, and it will not only be composed by them. The common is always the result of a “common doing” rather than a fixed group and or an “institution.” The paradoxical task then is to sustain the collective, the common, while preserving heterogeneity and the singularities in place.
For the participants, workers, collaborators related to the institution, however, it is a real instituting movement that is at stake. The inspirations for Rassel’s models for work processes come from open source/free software culture, but also from institutional psychotherapy. The school is a place full of hierarchies, governed by texts, decrees but also by consciences that reveal themselves there as brutal, feverish, urgent, generating a desire to reach a “whole” and a desire to question “the whole,” and nevertheless build a common. By opening up this layer from “read-only” to “read, write and execute,” the very structure of the school can be turned inside out – to serve new purposes. People can get involved and affect the structure by their history to be made. The process is the collective development of the “how.”
Laurence Rassel is a cultural worker who can act as curator, teacher, organizer. She is currently based in Brussels. From 2008 to 2015 she was Director of Fundació Antoni Tàpies, Barcelona, an institution created in 1984 by the artist Antoni Tàpies to promote the study and knowledge of modern and contemporary art (http://www.fundaciotapies). From 1997 to 2008, Rassel was a founding member of Constant, a non-profit association and interdisciplinary arts-lab based and active in Brussels in the fields of art, media and technology. Currently, she is Director of erg (école de recherche graphique – école supérieure des arts) in Brussels.
- A school of art is a zone of convergence studded with a multiplicity of individuals, things and flows, stories, fictions, and stagings, with social, cultural, material, singular and interacting asperities. And it is also a common territory by default: if we choose to come there to work or to study, we do not choose those with whom we will share this ephemeral biotope.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- creating commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 17.12.2019
- Übergeordnete Sets
- 1
Publishing as Commons Practice
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- Untertitel
- Interview with Alessandro Ludovico
- Autor/in
- Datierung
- 16.09.2018
- Schlüsselwörter
- Beschreibung
- Alessandro Ludovico is the co-founder of neural, a printed magazine established in 1993 dealing with new media art, electronic music, and hacktivism.
This interview focusses on two things. First, Alessandro reflects on his experience of how print publications changed over the last 25 years and their potential in a fully digital universe. They are now less about providing access, but more about providing a filter and stability against the very dynamic overflow of information. The second major theme of the interview is the “temporary library”, a collaborative practice to create short-term specialized libraries in the context of cultural events (festivals, exhibitions, etc.). After the event, they are donated to established libraries, thus contributing to making underrepresented aspects of (digital) culture available in the long-term.
- Alessandro Ludovico is the co-founder of neural, a printed magazine established in 1993 dealing with new media art, electronic music, and hacktivism.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- creating commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 17.12.2019
- Übergeordnete Sets
- 1
Producing Organizational Aesthetics
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- Untertitel
- Interview with Olga Goriunova
- Autor/in
- Datierung
- 19.10.2017
- Schlüsselwörter
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- creating commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 17.12.2019
- Übergeordnete Sets
- 1
OPEN SCORES
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- Untertitel
- Exhibition Guide
- Autor/in
- Datierung
- 21.09.2019
- Schlüsselwörter
- Beschreibung
- OPEN SCORES. How to program the Commons
21 September – 12 October 2019
panke.gallery, Berlin
This exhibition brings together 16 practices through which artists articulate their own forms of (digital) commons. From online archives, to digital tools/infrastructure and educational formats, the projects envision a (post-)digital culture in which notions of collaboration, free access to knowledge, sustainable use of shared resources and data privacy are central.
For the exhibition, artists have developed a SCORE relating to their practice. A SCORE can have different meanings: It can be a general instruction, a working instruction, a performance instruction or an operating instruction. In any case, it is meant to lead to a realization of an intended action and as such is an interface between a human actor and an object/material/machine. And a SCORE can also be linked to a technical HOWTO document, in that it contains information on how to perform a specific task.
Within the exhibition, the newly developed SCORES add an aesthetic layer while pointing to the socio/political impact of the presented projects. The exhibition will also feature the interviews conducted as part of the research project as well as a temporary library on the subject of digital commons. Furthermore, there will be a program of talks, screenings, and workshops.
Participants:
Dušan Barok (monoskop.org), Marcell Mars & Tomislav Medak (memoryoftheworld.org), Sebastian Lütgert & Jan Gerber (0xdb.org), Kenneth Goldsmith (ubu.com), AAAAARG, Zeljko Blace (#QUEERingNETWORKing), Ruth Catlow & Marc Garrett (furtherfield.org), Laurence Rassel (erg.be), Marek Tuszynski (Tactical Tech), Constant (Michael Murtaugh, Femke Snelting & Peter Westenberg), Stefanie Wuschitz (Mz* Baltazar’s Lab), Panayotis Antoniadis (nethood.org), Alessandro Ludovico (neural.it), Eva Weinmayr (andpublishing.org), Spideralex, Sakrowski (curatingyoutube.net), Creating Commons, Johannes Kreidler, Alison Knowles.
Curated by Creating Commons (Shusha Niederberger, Cornelia Sollfrank, Felix Stalder)
- OPEN SCORES. How to program the Commons
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- Creating Commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 10.05.2021
- Übergeordnete Sets
- 1
OPEN SCORES
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- Untertitel
- Exhibition Catalogue
- Autor/in
- Datierung
- 10.06.2020
- Schlüsselwörter
- Beschreibung
- The exhibition OPEN SCORES brought together a series of practices through which artists articulate their specific forms of digital commons. From online archives to digital tools/ infrastructure and educational formats, the projects envision a (post-)digital culture in which notions of collaboration, free access to knowledge, sustainable use of shared resources, and data privacy are central. For the exhibition, each of the projects created a unique score to present their practice.
Participants:
Dušan Barok (monoskop.org), Marcell Mars & Tomislav Medak (memoryoftheworld.org), Sebastian Lütgert & Jan Gerber (0xdb.org), Kenneth Goldsmith (ubu.com), Sean Dockray (AAAAARG), Zeljko
Blace (#QUEERingNETWORKing), Ruth Catlow & Marc Garrett (furtherfield.org), Laurence Rassel (erg.be), Marek Tuszynski (Tactical Tech), Michael Murtaugh, Femke Snelting & Peter Westenberg (Constant), Stefanie Wuschitz (Mz* Baltazar’s Lab), Panayotis Antoniadis
(nethood.org), Alessandro Ludovico (neural.it), Eva Weinmayr (andpublishing.org), spideralex, Sakrowski (curatingyoutube.net), Creating Commons.
Curated by Creating Commons
(Shusha Niederberger, Cornelia Sollfrank, Felix Stalder)
- The exhibition OPEN SCORES brought together a series of practices through which artists articulate their specific forms of digital commons. From online archives to digital tools/ infrastructure and educational formats, the projects envision a (post-)digital culture in which notions of collaboration, free access to knowledge, sustainable use of shared resources, and data privacy are central. For the exhibition, each of the projects created a unique score to present their practice.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- Creating Commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 10.05.2021
- Übergeordnete Sets
- 1
OPEN SCORES
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- Untertitel
- Flyer
- Autor/in
- Datierung
- 21.09.2019
- Schlüsselwörter
- Beschreibung
- Flyer zur Ausstellung "OPEN SCORES. How to program the Commons"
21 September – 12 October 2019
panke.gallery, Berlin
- Flyer zur Ausstellung "OPEN SCORES. How to program the Commons"
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- Creating Commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 10.05.2021
- Übergeordnete Sets
- 1
Next few years of art and commons: on idiosyncratic learners and radical lurkers
Name that can easily go onto 2 lines
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- Untertitel
- Lecture by Olga Goriunova
- Autor/in
- Datierung
- 19.10.2017
- Schlüsselwörter
- Beschreibung
- Cultural theorist, philosopher, and curator Olga Goriunova focus in her talk on the radical differences between the first 15 years of the World Wide Web (1990 -2005) and the next 15. To speak about artist-run platforms (such as the hub for software art, runme.org) and other experimental projects thriving in these first 15 years, I developed the term “organizational aesthetics”, which was concerned with specific forms of artistic and cultural movements within technological networks.
Typical for such projects was that they incorporate many different, flexible roles through which they are developed and maintained, and which provide models of contribution and use. These roles reflect a specific form of knowledge, and they coalesce around certain figures: learners and lurkers, to start with. (The term lurker comes from online forum culture and stands for a kind of participation, where the lurker is part of the forum, but not actively contributing to. The lurker is a reader who could but chooses not to, write.) With time, the classical knowledge of the learner gave way to the local knowledge of the lurker.
Now, the question is, what kind of knowledge – and with it: what kind of technology – will be created and sustained in the next 15 years? Are projects of at the intersection of the art and commons (that is, freely available resources produced and maintained by a community) developing new figures and with them, new infrastructural aesthetics?
Dr. Olga Goriunova (1977, Ulan-Ude, UdSSR) is a cultural theorist, philosopher, and curator with a focus on digital art and culture. She is Reader and Director of Graduate Research at Royal Holloway University London.
- Cultural theorist, philosopher, and curator Olga Goriunova focus in her talk on the radical differences between the first 15 years of the World Wide Web (1990 -2005) and the next 15. To speak about artist-run platforms (such as the hub for software art, runme.org) and other experimental projects thriving in these first 15 years, I developed the term “organizational aesthetics”, which was concerned with specific forms of artistic and cultural movements within technological networks.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- creating commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 17.12.2019
- Übergeordnete Sets
- 1
Networking Institutions
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- Untertitel
- Interview with Z. Blace
- Autor/in
- Datierung
- 03.03.2018
- Schlüsselwörter
- Beschreibung
- Z. Blace is one of the founders of Multimedia Institut / MaMa in Zagreb.
In this interview, he gives an overview of the activities of Multimedia Institute and it’s public space MaMa in Zagreb until today. He discusses the work of networking institutions and cultural advocacy in the political context of Croatia and draws connections to the discourse around the commons.
- Z. Blace is one of the founders of Multimedia Institut / MaMa in Zagreb.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- creating commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 17.12.2019
- Übergeordnete Sets
- 1