The Art of Musical Diagrams. Athens 2022
The Art of Musical Diagrams. Athens 2022
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9 Inhalte
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Orchestral Manoeuvres in the Light - Formants and their Movements in a Dynamic Fomant Map (Poster)
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- Untertitel
- Exhibition: The Art of Musical Diagrams (IMS Congress 2022 Athens)
- Autor/in
- Datierung
- 23.08.2022
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Es sind keine Metadaten zu diesem Kontext bereitgestellt.
- Importiert am
- 31.08.2022
- Übergeordnete Sets
- 2
Musical Volvelles (Poster)
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- Untertitel
- Exhibition: The Art of Musical Diagrams (IMS Congress 2022 Athens)
- Autor/in
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Es sind keine Metadaten zu diesem Kontext bereitgestellt.
- Importiert am
- 31.08.2022
- Übergeordnete Sets
- 2
Ptolemy's Muiscal Shadow in the 16th Century (Poster)
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- Untertitel
- Exhibition: The Art of Musical Diagrams (IMS Congress 2022 Athens)
- Autor/in
- Datierung
- 23.08.2022
- Schlüsselwörter
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Es sind keine Metadaten zu diesem Kontext bereitgestellt.
- Importiert am
- 31.08.2022
- Übergeordnete Sets
- 2
Orchestral Manoeuvres in the Light - Formants and their Movements in a Dynamic Fomant Map (Poster) (updated)
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Author that can easily go onto 2 lines as well
- Untertitel
- Exhibition: The Art of Musical Diagrams (IMS Congress 2022 Athens)
- Autor/in
- Datierung
- 23.08.2022
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Es sind keine Metadaten zu diesem Kontext bereitgestellt.
- Importiert am
- 02.10.2022
- Übergeordnete Sets
- 2
Theinred of Dover's Theory of Chromaticism: Arrays, Tables, and Circles
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- Untertitel
- Presentation at IMS Congress 2022 (Athens)
- Autor/in
- Datierung
- 23.08.2022
- Schlüsselwörter
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Es sind keine Metadaten zu diesem Kontext bereitgestellt.
- Importiert am
- 31.08.2022
- Übergeordnete Sets
- 2
Ptolemy's Musical Shadow in the 16th Century
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- Untertitel
- Ptolemy's helicon and its transformation into Gisoeffo Zarlino's Magical Senario Cube
- Autor/in
- Datierung
- 23.08.2022
- Schlüsselwörter
- Beschreibung
- This paper focuses on drawings in Zarlino's theoretical writings which combine iconic with diagrammatic elements to convey musical concepts and theories. Several drawings of monochords and lutes deal with equal temperament and incommensurability. Two pictures from the Sopplimenti musicali (1589), have received little attention to date. They are related to musical experimental devices, called heliconae, which are discussed in detail in Ptolemy's Harmonics. Knowledge of geometric similarity theory is necessary to understand these devices. Zarlino's drawings feature the cube, a Pythagorean triangles and a circular diagram to prove the universality of his “senario”, the extension of the Pythagorean tetraktys from four to six mutually related entities. In doing so, he argues from a continuous perspective, similar to Johannes Kepler later, who tries to “prove” the same set of consonances, i.e., a special algebraic constellation with a compass and ruler argument.
In the presentation of this paper, Ptolemy's and Zarlino's heliconae were also be demonstrated as virtual instruments.
- This paper focuses on drawings in Zarlino's theoretical writings which combine iconic with diagrammatic elements to convey musical concepts and theories. Several drawings of monochords and lutes deal with equal temperament and incommensurability. Two pictures from the Sopplimenti musicali (1589), have received little attention to date. They are related to musical experimental devices, called heliconae, which are discussed in detail in Ptolemy's Harmonics. Knowledge of geometric similarity theory is necessary to understand these devices. Zarlino's drawings feature the cube, a Pythagorean triangles and a circular diagram to prove the universality of his “senario”, the extension of the Pythagorean tetraktys from four to six mutually related entities. In doing so, he argues from a continuous perspective, similar to Johannes Kepler later, who tries to “prove” the same set of consonances, i.e., a special algebraic constellation with a compass and ruler argument.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Es sind keine Metadaten zu diesem Kontext bereitgestellt.
- Importiert am
- 30.08.2022
- Übergeordnete Sets
- 2
Abstracts: Study Session "MusicalDiagrams"
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- Untertitel
- IMS Congress Athens 2022
- Autor/in
- Datierung
- 23.08.2022
- Schlüsselwörter
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Es sind keine Metadaten zu diesem Kontext bereitgestellt.
- Importiert am
- 01.09.2022
- Übergeordnete Sets
- 2
Exhibition: The Art of Musical Diagrams
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- Untertitel
- Study Group "Musical Diagrams" at the IMS Congress 2022 (Athens)
- Autor/in
- Datierung
- 22.08.2022 - 01.09.2022
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Importiert am
- 02.09.2022
- Übergeordnete Sets
- 2
Monochords - Polychords (Poster)
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- Untertitel
- Exhibition: The Art of Musical Diagrams (IMS Congress 2022 Athens)
- Autor/in
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Es sind keine Metadaten zu diesem Kontext bereitgestellt.
- Importiert am
- 31.08.2022
- Übergeordnete Sets
- 2