Living in the Future – Animierte Infografik in Kooperation mit der Handelszeitung
Benachbarte Sets (2041)Alle Zusammenhänge anzeigen
Diese Sets wurden den gleichen Sets hinzugefügt wie das ausgewählte Set.
2041 Inhalte
- Seite 1 von 171
Chimaera
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Autor/in
- Datierung
- 20.03.2021
- Schlüsselwörter
- Beschreibung
- Mit dem rasanten Fortschritt der künstlichen Intelligenz wächst deren Einfluss auf das Leben und die Denkprozesse des Menschen. Aktuelle Smart-Technologien verfolgen unsere Aktionen und setzen diese in Computeralgorithmen um, so dass eine hybride Entität zwischen Mensch und Technologie entsteht.
Chimaera erforscht im Rahmen einer zweiteiligen künstlerischen Performance und mithilfe von zeitverzögerten Feedbacksystemen jene Elemente, die dazu beitragen, dass eine hybride Entität als autonom wahrgenommen werden kann, wie sie in Interaktion mit Menschen tritt und wie sie Menschen inspiriert und beeinflusst.
Der erste Teil von Chimaera besteht aus der audiovisuellen Komposition Mreža und der zweite Teil aus der Tanzperformance Schatten. Beide Setups haben ihren individuellen Interaktionscharakter, die zur Entstehung einer hybriden Entität beitragen. Im ersten Teil der Aufführung wird die Interaktion eines Performers mit einem speziell für diesen Zweck entwickelten Instrument namens Pauk beobachtet. Im zweiten Teil wird die Interaktion einer Performerin und ihres Avatars beobachtet.
- Mit dem rasanten Fortschritt der künstlichen Intelligenz wächst deren Einfluss auf das Leben und die Denkprozesse des Menschen. Aktuelle Smart-Technologien verfolgen unsere Aktionen und setzen diese in Computeralgorithmen um, so dass eine hybride Entität zwischen Mensch und Technologie entsteht.
- Importiert am
- 15.10.2021
- Übergeordnete Sets
- 2
- Set enthält
- 0 12
netesandletters
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Autor/in
- Datierung
- 03.03.2020
- Beschreibung
- The basis of this performance is an experimental poem in which I challenged the definitions of the
documentary and the poetic. I combined two very different types of documents – original doctors’ notes of a
relative of mine and her personal letters to me – and added my own column in the poem. I trans-formed the
docupoem into a performance-text with the intention to move the language – to develop new patterns and
therefore more possibilities to explore movement, text and their relation relying language and expression. In
the performance, I embodied the text and the movement within it, including the variety of perspectives
involved. The setting of the performance put the following elements into play: my physical body including the
voice, projected live-drawings (with Eren Karakuş as stage artist) and sounds of the MRI scanner (from the
album MRI by Simon Grab and Patricia Bosshard, 2010). The combined aimed to blurr the frames of
conventional categorizations such as objective/subjective, author/reader, drawing/signs.
- The basis of this performance is an experimental poem in which I challenged the definitions of the
- Bereich ZHdK
- Typ
- Studienabschnitt
- Importiert am
- 15.10.2021
- Übergeordnete Sets
- 2
- Set enthält
- 0 2
2019
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Es sind keine Metadaten zu diesem Kontext bereitgestellt.
- Es sind keine Metadaten zu diesem Kontext bereitgestellt.
- Importiert am
- 14.10.2021
- Übergeordnete Sets
- 2
- Set enthält
- 3 0
le roi est mort! vive le roi!
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Untertitel
- Diplomprojekt MA Theater, Regie und Dramaturgie
- Autor/in
- Datierung
- 12.05.2021
- Schlüsselwörter
- Beschreibung
- Le roi est mort, vive le roi
El rey ha muerto, larga vida al rey
De König isch tot, lang lebt de König.
Король мертв, да здравствует король.
Der König ist tot, es lebe der König.
The king is dead, long live the king.
Regele a murit, trăiască regele
Kein sicherer Boden, keinem dem man vertrauen kann, doch ein grosser Kampf um den Erhalt des eigenen Status. Shakespeares Welt erinnert heute mehr denn je an unsere Gesellschaft. Zwar sind es keine König:innen, die um den Machterhalt kämpfen, doch die Beziehungsstrukturen und Kämpfe gleichen sich. Also: was können wir aus der Geschichte lernen? Was mitnehmen? Und wie weitermachen?
Die Fortsetzung der Königsdramen entwickeln Alexander Stutz, Melanie Oșan und das Ensemble. Damit laden sie zu einen Trip durch die Vergangenheit ins heute ein.
- Le roi est mort, vive le roi
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Studienabschnitt
- Importiert am
- 08.10.2021
- Übergeordnete Sets
- 2
- Set enthält
- 1 100
ADHS oder: Ein Resonanzkörper im Raum
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Untertitel
- Diplomproduktion Master Theater, Dramaturgie
- Autor/in
- Datierung
- 02.09.2021
- Schlüsselwörter
- Beschreibung
- ADHS oder: Ein Resonanzkörper im Raum ist eine sinnliche Rekonstruktion verschiedener Wahrnehmungsweisen einer Person mit ADHS/ADS: Eine szenische Abfolge von unterschiedlichen Aufmerksamkeitsformen:
Ein endloser Teppich durchläuft den Raum, ein Vogel pfeift, der Klang stürzt durch die Nebelmaschine; eine Trommel wird zerlegt, die Sihl rauscht; es rieselt Popcorn: Umspült vom Bühnenraum, improvisieren zwei Schlagzeuger: Sie lenken das Publikum über ein Terrain der Gleichzeitigkeiten, der Konzentration, der Streuung: Ein Körper in Resonanz.
- ADHS oder: Ein Resonanzkörper im Raum ist eine sinnliche Rekonstruktion verschiedener Wahrnehmungsweisen einer Person mit ADHS/ADS: Eine szenische Abfolge von unterschiedlichen Aufmerksamkeitsformen:
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Importiert am
- 08.10.2021
- Übergeordnete Sets
- 2
- Set enthält
- 1 76
Delay
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Untertitel
- Live-Streaming
- Autor/in
- Datierung
- 29.04.2021 - 02.05.2021
- Schlüsselwörter
- Beschreibung
- AS TIME ALWAYS FLOWS, THE STILLNESS SEEMS TO EXIST CONSTANTLY. THE GAP BETWEEN ONE TASK AND THE NEXT ONE. WE CALL IT TIME WASTE. NOT PRODUCTIVE, NOT ACADEMIC, NOT INTELLIGENT. IT COULD PROBABLY BE INTUITION OR SOME CURIOSITY, WHICH CAUSES US TO BE TRASHY. BUT WE ARE STILL FLOWING, WE HANG OUT WITH OUR SPECIES, WE DANCE AND WE WASTE TIME. THE GAP, THE MYSTERIOUS IN-BETWEEN ___ THAT WE EXPERIENCE AS INDIVIDUALS. WASTING TIME IS A SCARY EVENT, IN THE CONTEXT OF NO TURNING BACK, AS NATURE RESOURCES, AS GONE LOVERS, TAKE THE GOOD INTO AN EMPTY VOID.
COULD WE? REALLY? BE ACTIVE FOR WASTING? STANDING IN THE MIDDLE OF COORDINATE XYZ, THE NORMATIVE OF MEDIA - OUR TERRITORY IN THIS E, Z, T, X, Y GENERATION. DEVELOPED THROUGH THE UNKNOWN. THE DANGER CONTINENT, WHERE THERE SPROUTS UP THE FRUITY INTELLIGENCE OR REFLECTS THE BLURRY NEIGHBORS, SOMETIMES IT FILLS THE EMOTIONAL TIDE. GRAB A GLASS OF SENSITIVE SMOOTHIE THEN SUCK IT WITH OUR MIND, YEAH, SUCK IT. TIME WASTE IS TO HARMONIZE THE LOST STRUCTURE, THE UNWANTED SWEETNESS, WHICH WE WOULD RATHER FORGET. COME ON, LET’S HURRY TO THE WASTED VALLEY, WHERE MUDDY REALITY GROWS THROUGH OLD STORIES. TAKE THESE GAPS AS EVENTS. THEY WILL MAYBE SHOW UP LATER. AS A DELAY.
- AS TIME ALWAYS FLOWS, THE STILLNESS SEEMS TO EXIST CONSTANTLY. THE GAP BETWEEN ONE TASK AND THE NEXT ONE. WE CALL IT TIME WASTE. NOT PRODUCTIVE, NOT ACADEMIC, NOT INTELLIGENT. IT COULD PROBABLY BE INTUITION OR SOME CURIOSITY, WHICH CAUSES US TO BE TRASHY. BUT WE ARE STILL FLOWING, WE HANG OUT WITH OUR SPECIES, WE DANCE AND WE WASTE TIME. THE GAP, THE MYSTERIOUS IN-BETWEEN ___ THAT WE EXPERIENCE AS INDIVIDUALS. WASTING TIME IS A SCARY EVENT, IN THE CONTEXT OF NO TURNING BACK, AS NATURE RESOURCES, AS GONE LOVERS, TAKE THE GOOD INTO AN EMPTY VOID.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Importiert am
- 08.10.2021
- Übergeordnete Sets
- 2
- Set enthält
- 1 79
Diplomkonzert BA Klassik
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Autor/in
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Studienabschnitt
- Projekttitel auf deutsch
- Diplomkonzert BA Klassik
- Importiert am
- 07.10.2021
- Übergeordnete Sets
- 2
- Set enthält
- 0 2
Connective
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Autor/in
- Datierung
- 09.04.2021
- Schlüsselwörter
- Beschreibung
- Connectiv ist ein methodisches Tanzspiel für Tanzlehrer*innen. Das Spiel betrachtet den Tanz aus der Sicht der Faszien. Der Tanz beinhaltet intuitiv viele Qualitäten, welche die faszialen Strukturen unseres Körpers brauchen. Der Tanz muss sich demnach nicht neu erfinden, sondern die Frage ins Zentrum stellen, mit welcher Intention Bewegungen ausgeführt werden können. So dynamisch wie die Faszien gestaltet sich auch das Spiel. Gerade die Vielfalt und Diversität der Anwendungsmöglichkeiten ist wichtig, da es nicht bloß einen einzigen richtigen Weg gibt.
- Importiert am
- 02.09.2021
- Übergeordnete Sets
- 1
- Set enthält
- 0 4
Crown Figure
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Autor/in
- Datierung
- 07.05.2021
- Schlüsselwörter
- Beschreibung
- This project is inspired by my experience in clubs. I questioned myself about the notions of body – image – movement – space – and transformation. How does an individual become a body, then a shadow and finally a figure? How the music, the lights, the temperature create an environment conducive to a real or not real metamorphosis.
- Bereich ZHdK
- Typ
- Studienabschnitt
- Importiert am
- 02.09.2021
- Übergeordnete Sets
- 1
- Set enthält
- 0 8
Water, Sounds and Movement
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Autor/in
- Datierung
- 07.05.2021
- Schlüsselwörter
- Beschreibung
- My Bachelor Project developed on the same theme of my thesis: water, sound and movement. These three elements are connected one to the other. I made a video that is trying to express how the body is affected by water, how water is producing mystical natural sounds and how movement is creating a sound itself through breathing. Water moving is like a dancing body: the beginning of my video shows how the water vibrations are similar to the muscles waves. As sound track I decided to put the orginal recording of water falls, lake and river, my breathing and a piece from the duo “Hang Massive". These lasts are playing hang drum which is reminding me a lot the sound of water drops falling into a endless universe. The aim of my video was to put in practise what I discovered with my researches for the BA thesis. With a deeper knowledge of the subject I was able to have more possibilities in the body and imagination. Water has memory and is able to record the vibrations of the surroundings. With my dance I tried to radiate positive feelings to the water and all the landscape, so that my dance could treat them. The video is filmed in Rivaz on the Leman Lake. The courtmetrage is developed aside of river, waterfall and lake. Three different ways of water express itself. My movement research started diving my body in water, understanding which kind of resistence water was giving to the muscles. Further on I reproduced it outside of water, swimming and floating in the air. In the video I also decided to Play with the different energies: the river with its currents is a metaphor for life evolving, never being the same (river water is never exactly the same ); the lake folds are representing the smooth movement of life; the water fall is the practical explanation for the following quotation “Ce qui conte c’est pas la chute c’est l’atterrissage” (what matters is the landing not the falling). Being water, being energy, becoming just a vibrating body in the middle of the universe, this is the main idea behind my research.
“Be like water making its way through cracks. Do not be assertive, but adjust to the object, and you shall find a way around or through it. If nothing within you stays rigid, outward things will disclose themselves. Empty your mind, be formless. Shapeless, like water. If you put water into a cup, it becomes the cup. You put water into a bottle and it becomes the bottle. You put it in a teapot, it becomes the teapot. Now, water can flow or it can crash. Be water, my friend.” by Bruce Lee
- My Bachelor Project developed on the same theme of my thesis: water, sound and movement. These three elements are connected one to the other. I made a video that is trying to express how the body is affected by water, how water is producing mystical natural sounds and how movement is creating a sound itself through breathing. Water moving is like a dancing body: the beginning of my video shows how the water vibrations are similar to the muscles waves. As sound track I decided to put the orginal recording of water falls, lake and river, my breathing and a piece from the duo “Hang Massive". These lasts are playing hang drum which is reminding me a lot the sound of water drops falling into a endless universe. The aim of my video was to put in practise what I discovered with my researches for the BA thesis. With a deeper knowledge of the subject I was able to have more possibilities in the body and imagination. Water has memory and is able to record the vibrations of the surroundings. With my dance I tried to radiate positive feelings to the water and all the landscape, so that my dance could treat them. The video is filmed in Rivaz on the Leman Lake. The courtmetrage is developed aside of river, waterfall and lake. Three different ways of water express itself. My movement research started diving my body in water, understanding which kind of resistence water was giving to the muscles. Further on I reproduced it outside of water, swimming and floating in the air. In the video I also decided to Play with the different energies: the river with its currents is a metaphor for life evolving, never being the same (river water is never exactly the same ); the lake folds are representing the smooth movement of life; the water fall is the practical explanation for the following quotation “Ce qui conte c’est pas la chute c’est l’atterrissage” (what matters is the landing not the falling). Being water, being energy, becoming just a vibrating body in the middle of the universe, this is the main idea behind my research.
- Bereich ZHdK
- Typ
- Studienabschnitt
- Importiert am
- 02.09.2021
- Übergeordnete Sets
- 1
- Set enthält
- 0 5
Expanding the Potential of Sound Design in Science Fiction
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Untertitel
- Creative Strategies for Reimagining Sonic Worlds
- Autor/in
- Datierung
- 23.08.2021
- Beschreibung
- This thesis analyses and investigates possible strategies in designing sound for a science fiction film. I have studied various sonic approaches from the likes of Delia Derbyshire and Walter Murch, whose innovative methods have provided an invaluable reference for applying a similar ethic to sound on the film Planet Hora, practical examples of which I will outline in greater detail. The context of my research has its basis in the complex and continuous process of listening and reciprocity, that which is shaped by circumstance or a sonic landscape that expands and extends beyond merely the functional aspects of sound design. This creates an evolving multiplicity of possible worlds, temporal spaces and unexpected occurrences from which I can speculate, extract, reconstruct and articulate a coherent and creative sonic vision. I will highlight practical compositional and sound design examples from Planet Hora. I will also discuss more subjective modes of creation in my own personal practice and how this relates to sonic interpretation and aesthetical choices. The central motivation of this research is two-fold, to propose a non-linear paradigm for thinking about sound in film and to advocate for a more intersectional methodology in sound creation.
- Bereich ZHdK
- Typ
- Studienabschnitt
- Importiert am
- 23.08.2021
- Übergeordnete Sets
- 1
- Set enthält
- 0 4
Soma
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Autor/in
- Datierung
- 09.04.2021
- Schlüsselwörter
- Beschreibung
- For a long time, the women in art existed only as a model or as a muse. She existed only as a painting or as a sculpture. She was only a body, a shell and the inspiration for the man to help his creative drive. At the same time, the gender relations were so engraved, that the woman as an artist did not exist.
This reduction to the body, was what I played with in the process of my project. But not only the woman in the role of a muse accompanied me as an inspiration. Also the detachment from the sole existence as a contentless body and the way to the self-realisation as an artist was part of my movement research.
- For a long time, the women in art existed only as a model or as a muse. She existed only as a painting or as a sculpture. She was only a body, a shell and the inspiration for the man to help his creative drive. At the same time, the gender relations were so engraved, that the woman as an artist did not exist.
- Bereich ZHdK
- Typ
- Studienabschnitt
- Importiert am
- 19.08.2021
- Übergeordnete Sets
- 1
- Set enthält
- 0 8