Forschungsprojekt «Sound Colour Space»: Quellen, Ergebnisse und Dokumentationen
Forschungsprojekt «Sound Colour Space»: Quellen, Ergebnisse und Dokumentationen
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Hervorgehobene Inhalte
15 Inhalte
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IMS 2022 : The Art of Musical Diagrams
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- Untertitel
- Study Group Musical Diagrams in Action
- Autor/in
- Datierung
- 22.08.2022 - 30.08.2022
- Schlüsselwörter
- Beschreibung
- The short video documents the activities of the Study Group "Musical Diagrams" at the 21st Quinquennial Congress of the International Musicological Society (IMS), which took place in Athens from 22 to 26 August 2022. The work "Typology & Topology of Musical Diagrams (2020)" by Gerhard Dirmosers (Linz) consisting of 34 posters in a matrix arrangement has been displayed for the first time. These posters feature the "universe of diagrams" from the history of music theory (and color theory) as interrelated diagrams following various networks.
Several posters by Daniel Muzzulini and his collaborators - Susan Forscher Weiss, Christoph Reuter, Christoph Stähli) complement the exhibition. Corresponding interactive new exhibits from the Virtual Museum Sound Colour Space and a mechatronic instrument (E-Bow) were also shown at the exhibition.
- The short video documents the activities of the Study Group "Musical Diagrams" at the 21st Quinquennial Congress of the International Musicological Society (IMS), which took place in Athens from 22 to 26 August 2022. The work "Typology & Topology of Musical Diagrams (2020)" by Gerhard Dirmosers (Linz) consisting of 34 posters in a matrix arrangement has been displayed for the first time. These posters feature the "universe of diagrams" from the history of music theory (and color theory) as interrelated diagrams following various networks.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Es sind keine Metadaten zu diesem Kontext bereitgestellt.
- Importiert am
- 30.08.2022
- Übergeordnete Sets
- 3
Art of Diagram Talk 12
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- Untertitel
- Sounding Spheres. On Time and Movement in Medieval Circular Diagrams
- Autor/in
- Datierung
- 08.02.2022
- Schlüsselwörter
- Beschreibung
- Medieval methods to visualize sound developed in dialogue with geometrical, arithmetical, cosmological, grammatical, philosophical, logical, and theological knowledge. Located between the sensory and the imaginative, the quadrivium of musica, geometry, arithmetic, and cosmology was nonetheless grounded in the realm of the visual. Visualizations of the harmony of the spheres, the harmony of the human body, and bodily perceived sounds appear in manuscripts as diagrams, graphs, and line drawings using parchment, ink, and pigments. The talk focuses on two circular medieval diagrams from the 9th and 10th centuries. Close analysis of the diagrams and their codices will demonstrate how medieval scribes and scholars created new shapes and forms on parchment to move between dimensions.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Typ
- Importiert am
- 14.02.2022
- Übergeordnete Sets
- 3
Art of Diagram-Talk 11 (Abstract)
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- Untertitel
- Circular Diagrams in Near Eastern Music Theory
- Autor/in
- Schlüsselwörter
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Es sind keine Metadaten zu diesem Kontext bereitgestellt.
- Importiert am
- 13.02.2022
- Übergeordnete Sets
- 3
"Art of Diagram"-Talk 6
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- Autor/in
- Datierung
- 07.04.2021
- Schlüsselwörter
- Beschreibung
- Preparation meeting of the panel presentation at the annual conference of the Renaissance Society of America (2021). Changes in Visual and Material Culture as Revealed in Early Modern Printed Music Treatises
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Es sind keine Metadaten zu diesem Kontext bereitgestellt.
- Importiert am
- 26.06.2021
- Übergeordnete Sets
- 3
Sound Colour Space – A Guided Tour Through a Museum of Diagrams
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- Untertitel
- Diagrams in Science - Science in Diagrams
- Autor/in
- Datierung
- 15.06.2021
- Schlüsselwörter
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Es sind keine Metadaten zu diesem Kontext bereitgestellt.
- Importiert am
- 22.08.2021
- Übergeordnete Sets
- 3
Musical Proportions and Complete Graphs
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- Untertitel
- Visualizing and Operationalizing Early Music Theory through Diagrams: From Guido to Zarlino and Beyond
- Autor/in
- Datierung
- 27.08.2021
- Schlüsselwörter
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Es sind keine Metadaten zu diesem Kontext bereitgestellt.
- Importiert am
- 31.10.2021
- Übergeordnete Sets
- 3
Sound Colour Space: Datenkuratorin, Computermusiker und Mathematiker am Digitalen Museum - III
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- Untertitel
- Part II: Susanne Schumacher
- Autor/in
- Datierung
- 03.11.2020
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Es sind keine Metadaten zu diesem Kontext bereitgestellt.
- Importiert am
- 29.01.2021
- Übergeordnete Sets
- 3
"Art of Diagram"-Talk 8
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- Untertitel
- Syntonic Experiments
- Autor/in
- Datierung
- 24.06.2021
- Schlüsselwörter
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Es sind keine Metadaten zu diesem Kontext bereitgestellt.
- Importiert am
- 26.06.2021
- Übergeordnete Sets
- 3
Sound Colour Space: Datenkuratorin, Computermusiker und Mathematiker am Digitalen Museum
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- Untertitel
- Part I - Daniel Muzzulini
- Autor/in
- Datierung
- 03.11.2020
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Es sind keine Metadaten zu diesem Kontext bereitgestellt.
- Importiert am
- 29.01.2021
- Übergeordnete Sets
- 3
"Art of Diagram"-Meeting Nr. 4
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- Untertitel
- Michael Dodds: Circular Diagrams and Volvelles in Early Modern Music Theory
- Autor/in
- Datierung
- 28.10.2020
- Schlüsselwörter
- Beschreibung
- The epistemic shift underlying the Scientific Revolution may be traced in parallel developments in the mapping of musical and physical space. Circular diagrams in music theory texts reveal the influence of spatial and temporal disciplines, including astronomy, chronometry, geography, and navigation. If these sister disciplines had always been tied to music through musica mundana, their influence on the mapping of tonal space only intensified in the early 17th century, exhibiting a concurrent shift from symbolic to empirical representations. Zarlino's circular illustration of the senario, for example, legitimates the syntonic diatonic scale; its circular organization has nothing to do with tonal circularity, but rather with graphical logic and rhetoric. In contrast, circles by René Descartes, Quirinus van Blankenburg (based on work by Christian Huygens) and Isaac Newton present logarithmic circular divisions of the scale—approaches made possible by recent innovations by Simon Stevin and John Napier.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Es sind keine Metadaten zu diesem Kontext bereitgestellt.
- Importiert am
- 09.12.2020
- Übergeordnete Sets
- 3
Sound Colour Space – A Guided Tour Through a Museum of Diagrams
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- Untertitel
- Conference: Diagrams in Science - Science in Diagrams, Bibliotheca Hertziana/Max-Planck-Institut für Kunstgeschichte (key-note lecture)
- Autor/in
- Datierung
- 15.06.2021
- Schlüsselwörter
- Rechteinhaber/in
- Zürcher Hochschule der Künste / Bibliotheca Hertziana - Max Planck Institute for Art History
- Es sind keine Metadaten zu diesem Kontext bereitgestellt.
- Importiert am
- 26.06.2021
- Übergeordnete Sets
- 3
"Art of Diagram"-Presentation Nr. 2
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- Autor/in
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Es sind keine Metadaten zu diesem Kontext bereitgestellt.
- Importiert am
- 06.02.2021
- Übergeordnete Sets
- 3