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Besenstudie #12. Videoaufzeichnung 1
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Autor/in
- Datierung
- 09.09.2011
- Schlüsselwörter
- Rechteinhaber/in
- Copyright Künstler/in (=Autor/in), Courtesy archiv performativ, ICS, ZHdK
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- SNF DoRe Forschungsprojekt archiv performativ. Ein Modell-Konzept für die Dokumentation und Aktualisierung von Performancekunst, April 2010 - Juni 2012. http://ics.zhdk.ch/ics/deutsch/forschungsprojekte http://www.zhdk.ch/?archivperformativ
- Dozierende/Projektleitung
- Pascale Grau, Irene Müller, Margarit von Büren
- Importiert am
- 22.06.2012
- Übergeordnete Sets
- 1
Besenstudie #12. Videoaufzeichnung 2
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Autor/in
- Datierung
- 09.09.2011
- Schlüsselwörter
- Rechteinhaber/in
- Copyright Künstler/in (=Autor/in), Courtesy archiv performativ, ICS, ZHdK
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- SNF DoRe Forschungsprojekt archiv performativ. Ein Modell-Konzept für die Dokumentation und Aktualisierung von Performancekunst, April 2010 - Juni 2012. http://ics.zhdk.ch/ics/deutsch/forschungsprojekte http://www.zhdk.ch/?archivperformativ
- Dozierende/Projektleitung
- Pascale Grau, Irene Müller, Margarit von Büren
- Importiert am
- 22.06.2012
- Übergeordnete Sets
- 1
Besenstudie. Konzept
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Autor/in
- Datierung
- 2011
- Schlüsselwörter
- Rechteinhaber/in
- Copyright Künstler/in (=Autor/in), Courtesy archiv performativ, ICS, ZHdK
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- SNF DoRe Forschungsprojekt archiv performativ. Ein Modell-Konzept für die Dokumentation und Aktualisierung von Performancekunst, April 2010 - Juni 2012. http://ics.zhdk.ch/ics/deutsch/forschungsprojekte http://www.zhdk.ch/?archivperformativ
- Dozierende/Projektleitung
- Pascale Grau, Irene Müller, Margarit von Büren
- Importiert am
- 22.06.2012
- Übergeordnete Sets
- 1
Buen Vivir.
- Untertitel
- Interview with Penny Travlou on collaborative practices in emerging networks
- Autor/in
- Datierung
- 31.03.2021
- Schlüsselwörter
- Beschreibung
-
Posted on March 31, 2021 by Cornelia
Buen Vivir. Interview with Penny Travlou on collaborative practices in emerging networks.
Framed by her long-standing research on collaborative practices, geographer and ethnographer Penny Travlou introduces two projects she has been involved lately: Platohedro, a space, a platform and community based in Medellín, Colombia, and the Feminist Autonomous Research Center in Athens (FAC). Platohedro refers to the indigenous concepts of Buen Vivir and Buen Conocer and works on adapting them to the contemporary living conditions in urban societies, while FAC puts an emphasis on commnity-based autonomous knowledge production. Both are concerned with forms of thinking and working together that allow for creating alternatives to extractivist, colonial, racist and anti-feminist modes of (knowledge)production.
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- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Typ
- Projekttitel auf deutsch
- Creating Commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 10.05.2021
- Übergeordnete Sets
- 1
Captured-Motion_Anette-Rose_Modul20
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Autor/in
- Beschreibung
- Trading Zones: Camera Work in Artistic and Ethnographic Research
Contributions by Shirin Barghnavard, Laura Coppens, Heidrun Holzfeind, Louis Henderson, Daniel Kötter, Uriel Orlow, Bina Elisabeth Mohn, Anette Rose, Lena Maria Thüring, Zheng Mahler, Artur Żmijewski
Edited by Jürgen Krusche, Barbara Preisig and Laura von Niederhäusern, Institute for Contemporary Art Research IFCAR, Zurich University of the Arts, 2021
Print publication and e-book
Summary
Artistic and ethnographic work intersect where the camera is no longer merely an instrument of research or a visual medium. At this intersection, photographic or cinematic images themselves become the sensory bearers of latent knowledge. A shared field of Art and Ethnography opens up in this border zone. Its potential — for explorations, experiments and reflections — has far from been exhausted.
Between 2018 and 2020, a lecture series at Zurich University of the Arts (ZHdK) further investigated these relationships. The resulting contributions (by artists, filmmakers, visual anthropologists, and theorists) are gathered in the present volume. «Trading Zones» brings together essays, interviews, and image-based work that illumine the audio-visual practices of camera-related work while transcending generic conventions: What is the documentary value of fiction? How do video installations circumvent linear narrations and forms of representation? Is there a difference between aesthetic and scientific knowledge?
Although the authors have diverse disciplinary backgrounds, their contributions emphasize that the camera, as an apparatus, questions the material process of visual perception and enables conversations between author, subject, object, and viewer. The contributions as such take into account all levels of camera-based work: recording, post-production, and presentation. Thus, Camera Work in Trading Zones invites new approaches of theoretical and practical interest to artists, researchers, filmmakers, and ethnographers and establishes a basis on which these related fields enable inventive experiences.
- Trading Zones: Camera Work in Artistic and Ethnographic Research
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- Tradig Zones
- Dozierende/Projektleitung
- Jürgen Krusche; Barbara Preisig
- Importiert am
- 30.10.2021
- Übergeordnete Sets
- 1
Captured-Motion_Anette-Rose_Modul25
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Autor/in
- Beschreibung
- Trading Zones: Camera Work in Artistic and Ethnographic Research
Contributions by Shirin Barghnavard, Laura Coppens, Heidrun Holzfeind, Louis Henderson, Daniel Kötter, Uriel Orlow, Bina Elisabeth Mohn, Anette Rose, Lena Maria Thüring, Zheng Mahler, Artur Żmijewski
Edited by Jürgen Krusche, Barbara Preisig and Laura von Niederhäusern, Institute for Contemporary Art Research IFCAR, Zurich University of the Arts, 2021
Print publication and e-book
Summary
Artistic and ethnographic work intersect where the camera is no longer merely an instrument of research or a visual medium. At this intersection, photographic or cinematic images themselves become the sensory bearers of latent knowledge. A shared field of Art and Ethnography opens up in this border zone. Its potential — for explorations, experiments and reflections — has far from been exhausted.
Between 2018 and 2020, a lecture series at Zurich University of the Arts (ZHdK) further investigated these relationships. The resulting contributions (by artists, filmmakers, visual anthropologists, and theorists) are gathered in the present volume. «Trading Zones» brings together essays, interviews, and image-based work that illumine the audio-visual practices of camera-related work while transcending generic conventions: What is the documentary value of fiction? How do video installations circumvent linear narrations and forms of representation? Is there a difference between aesthetic and scientific knowledge?
Although the authors have diverse disciplinary backgrounds, their contributions emphasize that the camera, as an apparatus, questions the material process of visual perception and enables conversations between author, subject, object, and viewer. The contributions as such take into account all levels of camera-based work: recording, post-production, and presentation. Thus, Camera Work in Trading Zones invites new approaches of theoretical and practical interest to artists, researchers, filmmakers, and ethnographers and establishes a basis on which these related fields enable inventive experiences.
- Trading Zones: Camera Work in Artistic and Ethnographic Research
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- Trading Zones
- Dozierende/Projektleitung
- Jürgen Krusche; Barbara Preisig
- Importiert am
- 30.10.2021
- Übergeordnete Sets
- 1
Caring for the Public Library
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Untertitel
- Interview with Marcell Mars & Tomislav Medak
- Autor/in
- Datierung
- 22.10.2017
- Schlüsselwörter
- Beschreibung
- Marcell Mars (researcher and programmer) & Tomislav Medak (philosopher) work together on the project Memory of the World. They use the concept of the public library as a narrative device to address questions of general access to knowledge and how this has shifted in the digital age. As everyone has the tools to build their own library, they advocate for a new form of a public library, which consists of interconnected private libraries.
This mobilization of individual actors would help to generate a necessary discourse on the limiting aspects of intellectual property. Apart from their work on creating technical infrastructure for their project, they organize digitization campaigns for endangered knowledges, develop tools for sharing books and discursive formats such as exhibitions and texts.
- Marcell Mars (researcher and programmer) & Tomislav Medak (philosopher) work together on the project Memory of the World. They use the concept of the public library as a narrative device to address questions of general access to knowledge and how this has shifted in the digital age. As everyone has the tools to build their own library, they advocate for a new form of a public library, which consists of interconnected private libraries.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- creating commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 17.12.2019
- Übergeordnete Sets
- 1
Christian Sarkowski (Berlin)
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Untertitel
- Teil des Forschungsprojekts "Die fragmentierte Stadt"
- Autor/in
- Datierung
- 2021
- Schlüsselwörter
- Beschreibung
- Das Video ist Teil der Ergebnisse des SNF-Forschungsprojekts «Die fragmentierte Stadt», die in dem gleichnamigen Buch 2021 beim Jovis Verlag in Berlin veröffentlicht wurden.
Über drei Jahre hinweg stattfindende Beobachtungen, Spaziergänge und Begegnungen in Berlin, Graz und Zürich bilden die Grundlage von vier unterschiedlichen künstlerisch-ethnografischen Zugängen zu Exklusionserfahrungen und Aneignungsstrategien. In fotografischen, audiovisuellen, performativen und sprachlichen Untersuchungen entstanden Gedanken, Einsichten und Produkte, welche in Texten, Bildern und Videos vorgestellt werden.
Wo Menschen eng zusammenleben, gibt es Konkurrenz und Verdrängung. Beinahe selbstverständlich nehmen wir hin, dass Straßen und Plätze, Geschäfte, Restaurants und Cafés einige Personengruppen ausschließen. Dies widerspricht dem Ideal einer demokratischen offenen Gesellschaft mit gleichberechtigten Mitgliedern. Wie erleben Menschen, die am Rande der Gesellschaft stehen (oder sich dort sehen) öffentliche Stadträume? Wo fühlen sie sich willkommen, wo nicht? Wo, wie und warum entstehen Nutzungskonflikte? Diesen Fragen geht das Projekt «Die fragmentierte Stadt» nach.
- Das Video ist Teil der Ergebnisse des SNF-Forschungsprojekts «Die fragmentierte Stadt», die in dem gleichnamigen Buch 2021 beim Jovis Verlag in Berlin veröffentlicht wurden.
- Rechteinhaber/in
- Zürcher Hochschule der Künste / Jürgen Krusche
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- Die fragmentierte Stadt
- Dozierende/Projektleitung
- Jürgen Krusche
- Importiert am
- 27.06.2021
- Übergeordnete Sets
- 1
Commoning Infrastructures. Promises, challenges, and the role of art.
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Untertitel
- Lecture by Daphne Dragona
- Autor/in
- Datierung
- 13.09.2018
- Schlüsselwörter
- Beschreibung
- Cultural scientist and curator Daphne Dragona talks about alternative community-based network systems and the role art can play in their development.
Practices of commoning are driven by affect, a sense of new possibilities and a desire to respond to existing asymmetries of power. In the case of network infrastructures, asymmetries usually refer to issues of access, as well as to the surveillance and commodification of circulating information. Wishing to oppose the structures of the sovereign corporate systems of communication, different examples of alternative networking have emerged in the last two decades. Initiated and built by artists, activists, and other network practitioners, these infrastructures manifest a desire for accessible, user-owned and controlled systems, that respect the needs of different territories, communities and users.
What can we learn from the recent history of alternative and radical networking? What are the promises and challenges of the commoning of infrastructures in times of increasing socio-politcal divides and conflicts? When does commoning need to be readdressed and which forms of learning and doing might be of help? Turning to examples coming from the fields of art, this presentation will examine how the poetics and imaginaries of counter-infrastructures can assist in re-imagining the way we relate to each other and to the world itself.
Daphne Dragona is a Berlin-based theorist and curator. Since 2015 she has been part of the curatorial team of transmediale festival. She has worked with different institutions for exhibitions, conferences, workshops and other events. Dragona has been working in the field of digital and urban commons since 2009, having curated Esse Nosse Posse: Common Wealth for Common People (EMST 2009), Mapping the Commons, Athens (EMST 2010), Off-the-cloud zone (Transmediale, 2016) and “… An Archaeology of Silence in the Digital Age”, solo exhibition of Christoph Wachter and Mathias Jud (Aksioma, 2017). She holds a Ph.D. from the Faculty of Communication and Media Studies of the University of Athens.
- Cultural scientist and curator Daphne Dragona talks about alternative community-based network systems and the role art can play in their development.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- creating commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 17.12.2019
- Übergeordnete Sets
- 1
Crowd Benefits
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Untertitel
- Interview with Mauricio O’Brian
- Autor/in
- Datierung
- 15.09.2018
- Schlüsselwörter
- Beschreibung
- Mauricio O’Brian is a co-founder of Goteo.org, a crowdfunding platform foregrounding collective return. The platform was founded in 2011 and is one of the pioneering platforms. It was developed by Platoniq, an arts and media design collective working on participatory culture in the digital realm, working since 2001 and based in Barcelona, Spain.
Goteo is different from other crowdfunding platforms like Kickstarter in the way it conceptualizes crowdfunding as a participatory project. Central for Goteo is the social return of the projects. It promotes projects working for the commons, open code and/or free knowledge, putting the accent on the public mission and favoring free culture and social development, allowing only projects available under a free and/or open license. Apart from the usual monetary contributions, Goteo includes collaborations like services, material resources, infrastructure or participation in specific microtasks needed for the development of projects. It is thus as well fostering a network of local communities. It has always put an emphasis on local events, working together with local communities, organizations and public institutions and has sought to involve the community through local workshops and other means in developing new features. Goteo has put a lot of emphasis on partnering with a wide range of public and private institutions, primarily municipalities in Spain. The principle of “co-responsibility” is also touching on public decision-making processes.
Goteo is managed by the Goteo Foundation, a non-profit organization that unites all the agents committed to the development of the project.
Mauricio O’Brian talks in this interview about the social dimension of crowdfunding and explains the concept of crowd benefit and social return in crowdfunding. He discusses the vision of a culture of co-responsibility, and how this is also linked to decision making processes when it comes to partnerships with public institutions.
- Mauricio O’Brian is a co-founder of Goteo.org, a crowdfunding platform foregrounding collective return. The platform was founded in 2011 and is one of the pioneering platforms. It was developed by Platoniq, an arts and media design collective working on participatory culture in the digital realm, working since 2001 and based in Barcelona, Spain.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- creating commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 16.12.2019
- Übergeordnete Sets
- 1
DAY-N. Augenzeugen-Statement
- Autor/in
- Datierung
- 08.10.2011
- Schlüsselwörter
- Rechteinhaber/in
- Copyright Künstler/in (=Autor/in), Courtesy archiv performativ, ICS, ZHdK
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- SNF DoRe Forschungsprojekt archiv performativ. Ein Modell-Konzept für die Dokumentation und Aktualisierung von Performancekunst, April 2010 - Juni 2012. http://ics.zhdk.ch/ics/deutsch/forschungsprojekte http://www.zhdk.ch/?archivperformativ
- Dozierende/Projektleitung
- Pascale Grau, Irene Müller, Margarit von Büren
- Importiert am
- 21.06.2012
- Übergeordnete Sets
- 1
DAY-N. Responding
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Autor/in
- Datierung
- 08.10.2011
- Schlüsselwörter
- Rechteinhaber/in
- Copyright Künstler/in (=Autor/in), Courtesy archiv performativ, ICS, ZHdK
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- SNF DoRe Forschungsprojekt archiv performativ. Ein Modell-Konzept für die Dokumentation und Aktualisierung von Performancekunst, April 2010 - Juni 2012. http://ics.zhdk.ch/ics/deutsch/forschungsprojekte http://www.zhdk.ch/?archivperformativ
- Dozierende/Projektleitung
- Pascale Grau, Irene Müller, Margarit von Büren
- Importiert am
- 21.06.2012
- Übergeordnete Sets
- 1