Forschungsdaten
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Commoning Infrastructures. Promises, challenges, and the role of art.
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- Untertitel
- Lecture by Daphne Dragona
- Autor/in
- Datierung
- 13.09.2018
- Schlüsselwörter
- Beschreibung
- Cultural scientist and curator Daphne Dragona talks about alternative community-based network systems and the role art can play in their development.
Practices of commoning are driven by affect, a sense of new possibilities and a desire to respond to existing asymmetries of power. In the case of network infrastructures, asymmetries usually refer to issues of access, as well as to the surveillance and commodification of circulating information. Wishing to oppose the structures of the sovereign corporate systems of communication, different examples of alternative networking have emerged in the last two decades. Initiated and built by artists, activists, and other network practitioners, these infrastructures manifest a desire for accessible, user-owned and controlled systems, that respect the needs of different territories, communities and users.
What can we learn from the recent history of alternative and radical networking? What are the promises and challenges of the commoning of infrastructures in times of increasing socio-politcal divides and conflicts? When does commoning need to be readdressed and which forms of learning and doing might be of help? Turning to examples coming from the fields of art, this presentation will examine how the poetics and imaginaries of counter-infrastructures can assist in re-imagining the way we relate to each other and to the world itself.
Daphne Dragona is a Berlin-based theorist and curator. Since 2015 she has been part of the curatorial team of transmediale festival. She has worked with different institutions for exhibitions, conferences, workshops and other events. Dragona has been working in the field of digital and urban commons since 2009, having curated Esse Nosse Posse: Common Wealth for Common People (EMST 2009), Mapping the Commons, Athens (EMST 2010), Off-the-cloud zone (Transmediale, 2016) and “… An Archaeology of Silence in the Digital Age”, solo exhibition of Christoph Wachter and Mathias Jud (Aksioma, 2017). She holds a Ph.D. from the Faculty of Communication and Media Studies of the University of Athens.
- Cultural scientist and curator Daphne Dragona talks about alternative community-based network systems and the role art can play in their development.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- creating commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 17.12.2019
- Übergeordnete Sets
- 1
Crowd Benefits
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- Untertitel
- Interview with Mauricio O’Brian
- Autor/in
- Datierung
- 15.09.2018
- Schlüsselwörter
- Beschreibung
- Mauricio O’Brian is a co-founder of Goteo.org, a crowdfunding platform foregrounding collective return. The platform was founded in 2011 and is one of the pioneering platforms. It was developed by Platoniq, an arts and media design collective working on participatory culture in the digital realm, working since 2001 and based in Barcelona, Spain.
Goteo is different from other crowdfunding platforms like Kickstarter in the way it conceptualizes crowdfunding as a participatory project. Central for Goteo is the social return of the projects. It promotes projects working for the commons, open code and/or free knowledge, putting the accent on the public mission and favoring free culture and social development, allowing only projects available under a free and/or open license. Apart from the usual monetary contributions, Goteo includes collaborations like services, material resources, infrastructure or participation in specific microtasks needed for the development of projects. It is thus as well fostering a network of local communities. It has always put an emphasis on local events, working together with local communities, organizations and public institutions and has sought to involve the community through local workshops and other means in developing new features. Goteo has put a lot of emphasis on partnering with a wide range of public and private institutions, primarily municipalities in Spain. The principle of “co-responsibility” is also touching on public decision-making processes.
Goteo is managed by the Goteo Foundation, a non-profit organization that unites all the agents committed to the development of the project.
Mauricio O’Brian talks in this interview about the social dimension of crowdfunding and explains the concept of crowd benefit and social return in crowdfunding. He discusses the vision of a culture of co-responsibility, and how this is also linked to decision making processes when it comes to partnerships with public institutions.
- Mauricio O’Brian is a co-founder of Goteo.org, a crowdfunding platform foregrounding collective return. The platform was founded in 2011 and is one of the pioneering platforms. It was developed by Platoniq, an arts and media design collective working on participatory culture in the digital realm, working since 2001 and based in Barcelona, Spain.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- creating commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 16.12.2019
- Übergeordnete Sets
- 1
Deep Water
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- Autor/in
- Datierung
- 2017
- Beschreibung
- Trading Zones: Camera Work in Artistic and Ethnographic Research
Contributions by Shirin Barghnavard, Laura Coppens, Heidrun Holzfeind, Louis Henderson, Daniel Kötter, Uriel Orlow, Bina Elisabeth Mohn, Anette Rose, Lena Maria Thüring, Zheng Mahler, Artur Żmijewski
Edited by Jürgen Krusche, Barbara Preisig and Laura von Niederhäusern, Institute for Contemporary Art Research IFCAR, Zurich University of the Arts, 2021
Print publication and e-book
Summary
Artistic and ethnographic work intersect where the camera is no longer merely an instrument of research or a visual medium. At this intersection, photographic or cinematic images themselves become the sensory bearers of latent knowledge. A shared field of Art and Ethnography opens up in this border zone. Its potential — for explorations, experiments and reflections — has far from been exhausted.
Between 2018 and 2020, a lecture series at Zurich University of the Arts (ZHdK) further investigated these relationships. The resulting contributions (by artists, filmmakers, visual anthropologists, and theorists) are gathered in the present volume. «Trading Zones» brings together essays, interviews, and image-based work that illumine the audio-visual practices of camera-related work while transcending generic conventions: What is the documentary value of fiction? How do video installations circumvent linear narrations and forms of representation? Is there a difference between aesthetic and scientific knowledge?
Although the authors have diverse disciplinary backgrounds, their contributions emphasize that the camera, as an apparatus, questions the material process of visual perception and enables conversations between author, subject, object, and viewer. The contributions as such take into account all levels of camera-based work: recording, post-production, and presentation. Thus, Camera Work in Trading Zones invites new approaches of theoretical and practical interest to artists, researchers, filmmakers, and ethnographers and establishes a basis on which these related fields enable inventive experiences.
- Trading Zones: Camera Work in Artistic and Ethnographic Research
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- Trading Zones
- Dozierende/Projektleitung
- Jürgen Krusche; Barbara Preisig
- Importiert am
- 10.08.2021
- Übergeordnete Sets
- 1
Ecosystems of Writing
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- Untertitel
- Interview with Michael Murtaugh
- Autor/in
- Datierung
- 15.09.2018
- Schlüsselwörter
- Beschreibung
- Michael Murtaugh is a technologist specialized in community databases, digital archives, and tools for new forms of reading and writing online. He is a member of Constant, where he is also part of the active archive research project, investigating and developing digital archiving platforms for cultural institutions.
In this interview, Michael discusses how infrastructures shape practices, and how recognizing these performative aspects of infrastructure can be used to question relationships to and through infrastructure. He introduces Etherbox, a RaspberryPi operated network box enabling local communities to collectively write, but is set up as a visible tool to engage with imaginations of software, infrastructure, and services. The Etherbox thus takes the concept of active archives a step further. Whereas active archives try to formulate ideas how archives can live on and serve communities in more productive ways than a frozen account of a historical event, Etherbox expands the concern about the performativity of infrastructure into a tool, which addresses both the symbolical level (of speculative infrastructure) as well the functional level (of collective writing spaces). That intertwinedness of the aesthetical and the functional is expanding the territory of infrastructure into an ecosystem of writing.
- Michael Murtaugh is a technologist specialized in community databases, digital archives, and tools for new forms of reading and writing online. He is a member of Constant, where he is also part of the active archive research project, investigating and developing digital archiving platforms for cultural institutions.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- creating commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 17.12.2019
- Übergeordnete Sets
- 1
Expanding Cinema
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- Untertitel
- Interview with Sebatian Lütgert & Jan Gerber
- Autor/in
- Datierung
- 22.10.2017
- Schlüsselwörter
- Beschreibung
- Sebastian Lütgert & Jan Gerber are two artists and programmers who developed the movie database 0xdb and its underlying software pan.do/ra. The more than 15,000 films in the database are objects that cover films hard to find online. 0xbd is not just a database for films but treats film as a veritable digital object, which allows new ways of dealing with films.
The project offers a number of special features such as the visualization of the timeline, time-based annotations, additional information and interlinking with other objects and information, and allows for in-depth search. The project stands in the tradition of autonomous archives and other critical media practices and has collaborated with artists and political activists worldwide. The software, as well as the movies, are available for free.
- Sebastian Lütgert & Jan Gerber are two artists and programmers who developed the movie database 0xdb and its underlying software pan.do/ra. The more than 15,000 films in the database are objects that cover films hard to find online. 0xbd is not just a database for films but treats film as a veritable digital object, which allows new ways of dealing with films.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- creating commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 17.12.2019
- Übergeordnete Sets
- 1
Experimenting with Institutional Formats
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- Untertitel
- Interview with Laurence Rassel
- Autor/in
- Datierung
- 4.3.2018
- Schlüsselwörter
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- creating commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 17.12.2019
- Übergeordnete Sets
- 1
Face No Dial of a Clock
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- Untertitel
- a cross-temporal fugue
- Autor/in
- Datierung
- 2022
- Schlüsselwörter
- Beschreibung
- 'Face No Dial of a Clock – a cross-temporal fugue' ist eine Auseinandersetzung mit der Wahrnehmung von asynchronen Gleichzeitigkeiten. Gegenwärtige Lebenssituationen werden aufgesucht, die von den betroffenen Individuen fordern, einen Umgang mit unterschiedlichen Zeitregimen zu finden.
Die Erzählerin des Film-Essays recherchiert an unterschiedlichen Orten, die sich in einem Wandel befinden. Sie verfolgt ein Bauprojekt eines Pflegezentrums für Demenzerkrankte, das ein ‘Dorf’ bauen will, welches den Bewohner:innen Normalität vermitteln soll. Sie besucht über mehrere Jahre eine Kleinfamilie, deren Junge sich mit der Einschulung schwer tut. Und sie berichtet von zufälligen Begegnungen mit einer Doktorandin, die dem Filmprojekt von Maya Deren zu haitianischen Voodoo-Ritualen in den 1940er Jahren nachgeht.
Was vorerst wie ein Durcheinander zusammenhangsloser Beobachtungen und Entwicklungen erscheint, erweist sich mit der Zeit als ein Gedankenstrom aus Bildern, Tönen und Stimmen. Aus den unterschiedlichen Strängen entstehen Fragen zu je spezifischen Eigenzeiten, die in Konflikt mit den Anforderungen der aktuellen Leistungsgesellschaft stehen, und sie zeigen, wie diese gelebt werden.
Der Film-Essay ist Teil des gleichnamigen PhD-Projekts Face No Dial of a Clock, welches im Rahmen der PhD-Kooperation der Kunstuniversität Linz mit der Zürcher Hochschule der Künste entstanden ist.
- 'Face No Dial of a Clock – a cross-temporal fugue' ist eine Auseinandersetzung mit der Wahrnehmung von asynchronen Gleichzeitigkeiten. Gegenwärtige Lebenssituationen werden aufgesucht, die von den betroffenen Individuen fordern, einen Umgang mit unterschiedlichen Zeitregimen zu finden.
- Rechteinhaber/in
- Zürcher Hochschule der Künste / Kunstuniversität Linz
- Bereich ZHdK
- Typ
- Studienabschnitt
- Projekttitel auf deutsch
- Face No Dial of a Clock. Investigating asynchronic experiences of present times by means of art
- Importiert am
- 04.07.2022
- Übergeordnete Sets
- 1
Face No Dial of a Clock (with English subtitles)
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Author that can easily go onto 2 lines as well
- Untertitel
- a cross-temporal fugue
- Autor/in
- Datierung
- 2023
- Schlüsselwörter
- Beschreibung
- 'Face No Dial of a Clock – a cross-temporal fugue' is an exploration of the perception of asynchronous simultaneities. Present life situations are investigated, which require the individuals concerned to find a way of dealing with different time regimes.
The narrator of the film essay inquires into various places in transition. She follows a construction project of a care center for dementia patients, which plans to build a 'village' that would convey normality to the residents. She visits a family over several years whose boy is struggling with the school enrolement. And she tells of a chance encounter with a doctoral candidate who is researching on Maya Deren's film project on Haitian voodoo rituals in the 1940s.
What at first seems like a jumble of disjointed observations and developments, over time forms a stream of thought made of images, sounds, and voices. From the various strands emerge questions about specific personal times that diverge from the demands of performance-oriented society and they show how these are lived.
The film essay is part of the PhD project of the same name Face No Dial of a Clock, developed in the framework of the PhD cooperation between the Kunstuniversity Linz and the Zurich University of the Arts.
- 'Face No Dial of a Clock – a cross-temporal fugue' is an exploration of the perception of asynchronous simultaneities. Present life situations are investigated, which require the individuals concerned to find a way of dealing with different time regimes.
- Rechteinhaber/in
- Zürcher Hochschule der Künste / Kunstuniveristät Linz
- Bereich ZHdK
- Typ
- Studienabschnitt
- Importiert am
- 19.07.2022
- Übergeordnete Sets
- 1
Feminist Hackspace
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- Untertitel
- Interview with Patricia Reis and Stephanie Wuschitz
- Autor/in
- Datierung
- 1.3.2018
- Schlüsselwörter
- Beschreibung
- Patricia Reis and Stefanie Wuschitz are the founders and members of the trans*feminist hackspace Mz* Baltazars Laboratory, Vienna in Vienna. It is run by a collective and offers, on one hand, a hackspace with a workshop program for female, trans and non-binary people, and on the other hand, runs a gallery space with a feminist exhibition program.
The lab is conceived as a safer space for people who have traditionally been excluded from or have felt unsafe in spaces where science is taught and technology is developed. It invites those people to participate or give workshops that bring together technology, art, and have a critical understanding of social structures.
In this interview, Stephanie Wuschitz and Patricia Reis introduce feminist hacking as an artistic methodology. They discuss the relationship between gender and technology and explain how Mz* Baltazar’s Lab aims at developing other imaginations of technology by consciously developing a community. They discuss the role of the space in developing that community and the importance of creating a safer space – both fostering engagement within the community and for the space, but also for reaching out to a wider audience.
- Patricia Reis and Stefanie Wuschitz are the founders and members of the trans*feminist hackspace Mz* Baltazars Laboratory, Vienna in Vienna. It is run by a collective and offers, on one hand, a hackspace with a workshop program for female, trans and non-binary people, and on the other hand, runs a gallery space with a feminist exhibition program.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- creating commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 17.12.2019
- Übergeordnete Sets
- 1
Film as Digital Object
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- Untertitel
- Sebastian Lütgert in conversation with Cornelia Lund
- Autor/in
- Datierung
- 27.09.2019
- Schlüsselwörter
- Beschreibung
- When films enter the database 0xDB(1) and its underlying software pan.do/ra(2), they become digital objects. As such, they form part of a network of interrelated elements that constitute the archival environment and, at the same time, point beyond it. How does this new environment affect our way of dealing with moving images? How does it affect the films and their aesthetics to be embedded in a digital framework of paratextual elements? And how do the films, in turn, influence this framework? What does it mean when the films are shown in the context of a Pirate Cinema(3) screening? And ultimately: how does this change not only the way we see the films, but also cinema itself?
(1) https://0xdb.org (2) https://pan.do/ra (3) https://piratecinema.org
Sebastian Lütgert is an artist, programmer, and writer. He is (together with Jan Gerber) the founder of experimental movie database 0XDB and the software behind it (pan.do/ra). He has co-initiated other initiatives like Pirate Cinema Berlin, Bootlab and texts.com.
Cornelia Lund is an art, film and media theorist and curator living in Berlin. She is the co-director of fluctuating images, a platform for media art and design with a focus on audiovisual artistic production. She has been teaching design theory at various universities.
- When films enter the database 0xDB(1) and its underlying software pan.do/ra(2), they become digital objects. As such, they form part of a network of interrelated elements that constitute the archival environment and, at the same time, point beyond it. How does this new environment affect our way of dealing with moving images? How does it affect the films and their aesthetics to be embedded in a digital framework of paratextual elements? And how do the films, in turn, influence this framework? What does it mean when the films are shown in the context of a Pirate Cinema(3) screening? And ultimately: how does this change not only the way we see the films, but also cinema itself?
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- creating commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 17.12.2019
- Übergeordnete Sets
- 1
Forms of Ongoingness
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- Untertitel
- Interview with Femke Snelting and Spideralex
- Autor/in
- Datierung
- 16.09.2018
- Schlüsselwörter
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- Creating Commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 10.03.2020
- Übergeordnete Sets
- 1
From Notepad to Cultural Resource. The Aesthetics of Crosslinking at Monoskop
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- Untertitel
- Interview with Dušan Barok
- Autor/in
- Datierung
- 22.10.2017
- Schlüsselwörter
- Beschreibung
- Dušan Barok is a researcher, artist and cultural activist based in Amsterdam. His practice involves networked media, participatory events, and experimental publishing, and he runs and edits Monoskop. Monoskop is a media wiki that evolved from linking and contextualizing information on Eastern European experimental and media arts to host relevant files, such as books, texts, documents, and media files, and thus became a publishing initiative in its own right.
Due to its constant growth, Monoskop has transformed from a special interest archive to become a significant cultural resource. Today the wiki comprises of 6,744 entries and 13,616 documents, and the related WordPress log introduces new publications on a regular basis. Increasingly, Monoskop also triggers offline events, frequently with cultural institutions that have come to appreciate the unique resources of this autonomous archive.
- Dušan Barok is a researcher, artist and cultural activist based in Amsterdam. His practice involves networked media, participatory events, and experimental publishing, and he runs and edits Monoskop. Monoskop is a media wiki that evolved from linking and contextualizing information on Eastern European experimental and media arts to host relevant files, such as books, texts, documents, and media files, and thus became a publishing initiative in its own right.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- creating commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 17.12.2019
- Übergeordnete Sets
- 1