Forschungsdaten
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64 Inhalte
- Seite 1 von 6
Profession: Documentarist (5)
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Untertitel
- Beitrag Mina Keshavarz
- Autor/in
- Datierung
- 2014
- Beschreibung
- Trading Zones: Camera Work in Artistic and Ethnographic Research
Contributions by Shirin Barghnavard, Laura Coppens, Heidrun Holzfeind, Louis Henderson, Daniel Kötter, Uriel Orlow, Bina Elisabeth Mohn, Anette Rose, Lena Maria Thüring, Zheng Mahler, Artur Żmijewski
Edited by Jürgen Krusche, Barbara Preisig and Laura von Niederhäusern, Institute for Contemporary Art Research IFCAR, Zurich University of the Arts, 2021
Print publication and e-book
Summary
Artistic and ethnographic work intersect where the camera is no longer merely an instrument of research or a visual medium. At this intersection, photographic or cinematic images themselves become the sensory bearers of latent knowledge. A shared field of Art and Ethnography opens up in this border zone. Its potential — for explorations, experiments and reflections — has far from been exhausted.
Between 2018 and 2020, a lecture series at Zurich University of the Arts (ZHdK) further investigated these relationships. The resulting contributions (by artists, filmmakers, visual anthropologists, and theorists) are gathered in the present volume. «Trading Zones» brings together essays, interviews, and image-based work that illumine the audio-visual practices of camera-related work while transcending generic conventions: What is the documentary value of fiction? How do video installations circumvent linear narrations and forms of representation? Is there a difference between aesthetic and scientific knowledge?
Although the authors have diverse disciplinary backgrounds, their contributions emphasize that the camera, as an apparatus, questions the material process of visual perception and enables conversations between author, subject, object, and viewer. The contributions as such take into account all levels of camera-based work: recording, post-production, and presentation. Thus, Camera Work in Trading Zones invites new approaches of theoretical and practical interest to artists, researchers, filmmakers, and ethnographers and establishes a basis on which these related fields enable inventive experiences.
- Trading Zones: Camera Work in Artistic and Ethnographic Research
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- Trading Zones
- Dozierende/Projektleitung
- Jürgen Krusche; Barbara Preisig
- Importiert am
- 10.08.2021
- Übergeordnete Sets
- 1
Profession: Documentarist (4)
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Untertitel
- Beitrag Sepideh Abtahi
- Autor/in
- Datierung
- 2014
- Beschreibung
- Trading Zones: Camera Work in Artistic and Ethnographic Research
Contributions by Shirin Barghnavard, Laura Coppens, Heidrun Holzfeind, Louis Henderson, Daniel Kötter, Uriel Orlow, Bina Elisabeth Mohn, Anette Rose, Lena Maria Thüring, Zheng Mahler, Artur Żmijewski
Edited by Jürgen Krusche, Barbara Preisig and Laura von Niederhäusern, Institute for Contemporary Art Research IFCAR, Zurich University of the Arts, 2021
Print publication and e-book
Summary
Artistic and ethnographic work intersect where the camera is no longer merely an instrument of research or a visual medium. At this intersection, photographic or cinematic images themselves become the sensory bearers of latent knowledge. A shared field of Art and Ethnography opens up in this border zone. Its potential — for explorations, experiments and reflections — has far from been exhausted.
Between 2018 and 2020, a lecture series at Zurich University of the Arts (ZHdK) further investigated these relationships. The resulting contributions (by artists, filmmakers, visual anthropologists, and theorists) are gathered in the present volume. «Trading Zones» brings together essays, interviews, and image-based work that illumine the audio-visual practices of camera-related work while transcending generic conventions: What is the documentary value of fiction? How do video installations circumvent linear narrations and forms of representation? Is there a difference between aesthetic and scientific knowledge?
Although the authors have diverse disciplinary backgrounds, their contributions emphasize that the camera, as an apparatus, questions the material process of visual perception and enables conversations between author, subject, object, and viewer. The contributions as such take into account all levels of camera-based work: recording, post-production, and presentation. Thus, Camera Work in Trading Zones invites new approaches of theoretical and practical interest to artists, researchers, filmmakers, and ethnographers and establishes a basis on which these related fields enable inventive experiences.
- Trading Zones: Camera Work in Artistic and Ethnographic Research
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- Trading Zones
- Dozierende/Projektleitung
- Jürgen Krusche; Barbara Preisig
- Importiert am
- 10.08.2021
- Übergeordnete Sets
- 1
Profession: Documentarist (3)
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Untertitel
- Beitrag Nahid Rezae
- Autor/in
- Datierung
- 2014
- Beschreibung
- Trading Zones: Camera Work in Artistic and Ethnographic Research
Contributions by Shirin Barghnavard, Laura Coppens, Heidrun Holzfeind, Louis Henderson, Daniel Kötter, Uriel Orlow, Bina Elisabeth Mohn, Anette Rose, Lena Maria Thüring, Zheng Mahler, Artur Żmijewski
Edited by Jürgen Krusche, Barbara Preisig and Laura von Niederhäusern, Institute for Contemporary Art Research IFCAR, Zurich University of the Arts, 2021
Print publication and e-book
Summary
Artistic and ethnographic work intersect where the camera is no longer merely an instrument of research or a visual medium. At this intersection, photographic or cinematic images themselves become the sensory bearers of latent knowledge. A shared field of Art and Ethnography opens up in this border zone. Its potential — for explorations, experiments and reflections — has far from been exhausted.
Between 2018 and 2020, a lecture series at Zurich University of the Arts (ZHdK) further investigated these relationships. The resulting contributions (by artists, filmmakers, visual anthropologists, and theorists) are gathered in the present volume. «Trading Zones» brings together essays, interviews, and image-based work that illumine the audio-visual practices of camera-related work while transcending generic conventions: What is the documentary value of fiction? How do video installations circumvent linear narrations and forms of representation? Is there a difference between aesthetic and scientific knowledge?
Although the authors have diverse disciplinary backgrounds, their contributions emphasize that the camera, as an apparatus, questions the material process of visual perception and enables conversations between author, subject, object, and viewer. The contributions as such take into account all levels of camera-based work: recording, post-production, and presentation. Thus, Camera Work in Trading Zones invites new approaches of theoretical and practical interest to artists, researchers, filmmakers, and ethnographers and establishes a basis on which these related fields enable inventive experiences.
- Trading Zones: Camera Work in Artistic and Ethnographic Research
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- Trading Zones
- Dozierende/Projektleitung
- Jürgen Krusche; Barbara Preisig
- Importiert am
- 10.08.2021
- Übergeordnete Sets
- 1
Profession: Documentarist (2)
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Untertitel
- Beitrag Sahar Salahshoor
- Autor/in
- Datierung
- 2014
- Beschreibung
- Trading Zones: Camera Work in Artistic and Ethnographic Research
Contributions by Shirin Barghnavard, Laura Coppens, Heidrun Holzfeind, Louis Henderson, Daniel Kötter, Uriel Orlow, Bina Elisabeth Mohn, Anette Rose, Lena Maria Thüring, Zheng Mahler, Artur Żmijewski
Edited by Jürgen Krusche, Barbara Preisig and Laura von Niederhäusern, Institute for Contemporary Art Research IFCAR, Zurich University of the Arts, 2021
Print publication and e-book
Summary
Artistic and ethnographic work intersect where the camera is no longer merely an instrument of research or a visual medium. At this intersection, photographic or cinematic images themselves become the sensory bearers of latent knowledge. A shared field of Art and Ethnography opens up in this border zone. Its potential — for explorations, experiments and reflections — has far from been exhausted.
Between 2018 and 2020, a lecture series at Zurich University of the Arts (ZHdK) further investigated these relationships. The resulting contributions (by artists, filmmakers, visual anthropologists, and theorists) are gathered in the present volume. «Trading Zones» brings together essays, interviews, and image-based work that illumine the audio-visual practices of camera-related work while transcending generic conventions: What is the documentary value of fiction? How do video installations circumvent linear narrations and forms of representation? Is there a difference between aesthetic and scientific knowledge?
Although the authors have diverse disciplinary backgrounds, their contributions emphasize that the camera, as an apparatus, questions the material process of visual perception and enables conversations between author, subject, object, and viewer. The contributions as such take into account all levels of camera-based work: recording, post-production, and presentation. Thus, Camera Work in Trading Zones invites new approaches of theoretical and practical interest to artists, researchers, filmmakers, and ethnographers and establishes a basis on which these related fields enable inventive experiences.
- Trading Zones: Camera Work in Artistic and Ethnographic Research
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- Trading Zones
- Dozierende/Projektleitung
- Jürgen Krusche; Barbara Preisig
- Importiert am
- 10.08.2021
- Übergeordnete Sets
- 1
Profession: Documentarist (1)
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Untertitel
- Beitrag Shirin Barghnavard
- Autor/in
- Datierung
- 2014
- Beschreibung
- Trading Zones: Camera Work in Artistic and Ethnographic Research
Contributions by Shirin Barghnavard, Laura Coppens, Heidrun Holzfeind, Louis Henderson, Daniel Kötter, Uriel Orlow, Bina Elisabeth Mohn, Anette Rose, Lena Maria Thüring, Zheng Mahler, Artur Żmijewski
Edited by Jürgen Krusche, Barbara Preisig and Laura von Niederhäusern, Institute for Contemporary Art Research IFCAR, Zurich University of the Arts, 2021
Print publication and e-book
Summary
Artistic and ethnographic work intersect where the camera is no longer merely an instrument of research or a visual medium. At this intersection, photographic or cinematic images themselves become the sensory bearers of latent knowledge. A shared field of Art and Ethnography opens up in this border zone. Its potential — for explorations, experiments and reflections — has far from been exhausted.
Between 2018 and 2020, a lecture series at Zurich University of the Arts (ZHdK) further investigated these relationships. The resulting contributions (by artists, filmmakers, visual anthropologists, and theorists) are gathered in the present volume. «Trading Zones» brings together essays, interviews, and image-based work that illumine the audio-visual practices of camera-related work while transcending generic conventions: What is the documentary value of fiction? How do video installations circumvent linear narrations and forms of representation? Is there a difference between aesthetic and scientific knowledge?
Although the authors have diverse disciplinary backgrounds, their contributions emphasize that the camera, as an apparatus, questions the material process of visual perception and enables conversations between author, subject, object, and viewer. The contributions as such take into account all levels of camera-based work: recording, post-production, and presentation. Thus, Camera Work in Trading Zones invites new approaches of theoretical and practical interest to artists, researchers, filmmakers, and ethnographers and establishes a basis on which these related fields enable inventive experiences.
- Trading Zones: Camera Work in Artistic and Ethnographic Research
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- Trading Zones
- Dozierende/Projektleitung
- Jürgen Krusche; Barbara Preisig
- Importiert am
- 10.08.2021
- Übergeordnete Sets
- 1
Producing Organizational Aesthetics
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Untertitel
- Interview with Olga Goriunova
- Autor/in
- Datierung
- 19.10.2017
- Schlüsselwörter
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- creating commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 17.12.2019
- Übergeordnete Sets
- 1
Politische Kunst-Kritik
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Untertitel
- Zwischen Rancière und Adorno
- Autor/in
- Datierung
- 2016
- Schlüsselwörter
- Beschreibung
- Dass Kunst kritisch sei, wird im immer wieder emphatisch beschworen und heftig bestritten. Ausgehend von dieser Situation, die sich in den gegenwärtigen Debatten seit der Jahrtausendwende immer deutlicher zeigt, widmet sich das vorliegende Buch explizit der Frage nach dem emanzipatorisch-politischen Gesellschaftsbezug von Kunst. In einer dichten Auseinandersetzung mit den ästhetischen Theorien von Jacques Rancière und Theodor W. Adorno entwickelt die Autorin eine aktuelle Theorie des Verhältnisses von Kunst und Politik. Eine differenzierte Kunst-Kritik muss demnach einerseits die kunstkritischen Reflexion der Kunstwerke als solcher beinhalten, und andererseits jene Kritik, die den Kunstwerken immanent sein soll. Diese doppelte KunstKritik berührt also auch grundlegende Fragen von Wahrheitspolitik und Aufgaben einer emanzipatorischen Kunstvermittlung. Ihren Anspruch stellt die Autorin immer wieder an Beispielen – »Konkretionen« – auf die Probe. Nebenbei kann das Buch auch als eine fundierte Einführung in die ästhetischen Theorien Rancières und Adornos gelesen werden.
- Rechteinhaber/in
- Verlag Turia + Kant, Wien-Berlin
- Bereich ZHdK
- Typ
- Studienabschnitt
- Importiert am
- 20.03.2019
- Übergeordnete Sets
- 1
Ouvertures (Extract 4)
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Autor/in
- Datierung
- 2020
- Beschreibung
- Trading Zones: Camera Work in Artistic and Ethnographic Research
Contributions by Shirin Barghnavard, Laura Coppens, Heidrun Holzfeind, Louis Henderson, Daniel Kötter, Uriel Orlow, Bina Elisabeth Mohn, Anette Rose, Lena Maria Thüring, Zheng Mahler, Artur Żmijewski
Edited by Jürgen Krusche, Barbara Preisig and Laura von Niederhäusern, Institute for Contemporary Art Research IFCAR, Zurich University of the Arts, 2021
Print publication and e-book
Summary
Artistic and ethnographic work intersect where the camera is no longer merely an instrument of research or a visual medium. At this intersection, photographic or cinematic images themselves become the sensory bearers of latent knowledge. A shared field of Art and Ethnography opens up in this border zone. Its potential — for explorations, experiments and reflections — has far from been exhausted.
Between 2018 and 2020, a lecture series at Zurich University of the Arts (ZHdK) further investigated these relationships. The resulting contributions (by artists, filmmakers, visual anthropologists, and theorists) are gathered in the present volume. «Trading Zones» brings together essays, interviews, and image-based work that illumine the audio-visual practices of camera-related work while transcending generic conventions: What is the documentary value of fiction? How do video installations circumvent linear narrations and forms of representation? Is there a difference between aesthetic and scientific knowledge?
Although the authors have diverse disciplinary backgrounds, their contributions emphasize that the camera, as an apparatus, questions the material process of visual perception and enables conversations between author, subject, object, and viewer. The contributions as such take into account all levels of camera-based work: recording, post-production, and presentation. Thus, Camera Work in Trading Zones invites new approaches of theoretical and practical interest to artists, researchers, filmmakers, and ethnographers and establishes a basis on which these related fields enable inventive experiences.
- Trading Zones: Camera Work in Artistic and Ethnographic Research
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- Trading Zones
- Dozierende/Projektleitung
- Jürgen Krusche; Barbara Preisig
- Importiert am
- 10.08.2021
- Übergeordnete Sets
- 1
Ouvertures (Extract 3)
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Autor/in
- Datierung
- 2020
- Beschreibung
- Trading Zones: Camera Work in Artistic and Ethnographic Research
Contributions by Shirin Barghnavard, Laura Coppens, Heidrun Holzfeind, Louis Henderson, Daniel Kötter, Uriel Orlow, Bina Elisabeth Mohn, Anette Rose, Lena Maria Thüring, Zheng Mahler, Artur Żmijewski
Edited by Jürgen Krusche, Barbara Preisig and Laura von Niederhäusern, Institute for Contemporary Art Research IFCAR, Zurich University of the Arts, 2021
Print publication and e-book
Summary
Artistic and ethnographic work intersect where the camera is no longer merely an instrument of research or a visual medium. At this intersection, photographic or cinematic images themselves become the sensory bearers of latent knowledge. A shared field of Art and Ethnography opens up in this border zone. Its potential — for explorations, experiments and reflections — has far from been exhausted.
Between 2018 and 2020, a lecture series at Zurich University of the Arts (ZHdK) further investigated these relationships. The resulting contributions (by artists, filmmakers, visual anthropologists, and theorists) are gathered in the present volume. «Trading Zones» brings together essays, interviews, and image-based work that illumine the audio-visual practices of camera-related work while transcending generic conventions: What is the documentary value of fiction? How do video installations circumvent linear narrations and forms of representation? Is there a difference between aesthetic and scientific knowledge?
Although the authors have diverse disciplinary backgrounds, their contributions emphasize that the camera, as an apparatus, questions the material process of visual perception and enables conversations between author, subject, object, and viewer. The contributions as such take into account all levels of camera-based work: recording, post-production, and presentation. Thus, Camera Work in Trading Zones invites new approaches of theoretical and practical interest to artists, researchers, filmmakers, and ethnographers and establishes a basis on which these related fields enable inventive experiences.
- Trading Zones: Camera Work in Artistic and Ethnographic Research
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- Trading Zones
- Dozierende/Projektleitung
- Jürgen Krusche; Barbara Preisig
- Importiert am
- 10.08.2021
- Übergeordnete Sets
- 1
Ouvertures (Extract 2)
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Autor/in
- Datierung
- 2020
- Beschreibung
- Trading Zones: Camera Work in Artistic and Ethnographic Research
Contributions by Shirin Barghnavard, Laura Coppens, Heidrun Holzfeind, Louis Henderson, Daniel Kötter, Uriel Orlow, Bina Elisabeth Mohn, Anette Rose, Lena Maria Thüring, Zheng Mahler, Artur Żmijewski
Edited by Jürgen Krusche, Barbara Preisig and Laura von Niederhäusern, Institute for Contemporary Art Research IFCAR, Zurich University of the Arts, 2021
Print publication and e-book
Summary
Artistic and ethnographic work intersect where the camera is no longer merely an instrument of research or a visual medium. At this intersection, photographic or cinematic images themselves become the sensory bearers of latent knowledge. A shared field of Art and Ethnography opens up in this border zone. Its potential — for explorations, experiments and reflections — has far from been exhausted.
Between 2018 and 2020, a lecture series at Zurich University of the Arts (ZHdK) further investigated these relationships. The resulting contributions (by artists, filmmakers, visual anthropologists, and theorists) are gathered in the present volume. «Trading Zones» brings together essays, interviews, and image-based work that illumine the audio-visual practices of camera-related work while transcending generic conventions: What is the documentary value of fiction? How do video installations circumvent linear narrations and forms of representation? Is there a difference between aesthetic and scientific knowledge?
Although the authors have diverse disciplinary backgrounds, their contributions emphasize that the camera, as an apparatus, questions the material process of visual perception and enables conversations between author, subject, object, and viewer. The contributions as such take into account all levels of camera-based work: recording, post-production, and presentation. Thus, Camera Work in Trading Zones invites new approaches of theoretical and practical interest to artists, researchers, filmmakers, and ethnographers and establishes a basis on which these related fields enable inventive experiences.
- Trading Zones: Camera Work in Artistic and Ethnographic Research
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- Trading Zones
- Dozierende/Projektleitung
- Jürgen Krusche; Barbara Preisig
- Importiert am
- 10.08.2021
- Übergeordnete Sets
- 1
Ouvertures (Extract 1)
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Autor/in
- Datierung
- 2020
- Beschreibung
- Trading Zones: Camera Work in Artistic and Ethnographic Research
Contributions by Shirin Barghnavard, Laura Coppens, Heidrun Holzfeind, Louis Henderson, Daniel Kötter, Uriel Orlow, Bina Elisabeth Mohn, Anette Rose, Lena Maria Thüring, Zheng Mahler, Artur Żmijewski
Edited by Jürgen Krusche, Barbara Preisig and Laura von Niederhäusern, Institute for Contemporary Art Research IFCAR, Zurich University of the Arts, 2021
Print publication and e-book
Summary
Artistic and ethnographic work intersect where the camera is no longer merely an instrument of research or a visual medium. At this intersection, photographic or cinematic images themselves become the sensory bearers of latent knowledge. A shared field of Art and Ethnography opens up in this border zone. Its potential — for explorations, experiments and reflections — has far from been exhausted.
Between 2018 and 2020, a lecture series at Zurich University of the Arts (ZHdK) further investigated these relationships. The resulting contributions (by artists, filmmakers, visual anthropologists, and theorists) are gathered in the present volume. «Trading Zones» brings together essays, interviews, and image-based work that illumine the audio-visual practices of camera-related work while transcending generic conventions: What is the documentary value of fiction? How do video installations circumvent linear narrations and forms of representation? Is there a difference between aesthetic and scientific knowledge?
Although the authors have diverse disciplinary backgrounds, their contributions emphasize that the camera, as an apparatus, questions the material process of visual perception and enables conversations between author, subject, object, and viewer. The contributions as such take into account all levels of camera-based work: recording, post-production, and presentation. Thus, Camera Work in Trading Zones invites new approaches of theoretical and practical interest to artists, researchers, filmmakers, and ethnographers and establishes a basis on which these related fields enable inventive experiences.
- Trading Zones: Camera Work in Artistic and Ethnographic Research
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- Trading Zones
- Dozierende/Projektleitung
- Jürgen Krusche; Barbara Preisig
- Importiert am
- 10.08.2021
- Übergeordnete Sets
- 1
Omid Jafari (Zürich)
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Untertitel
- Teil des Forschungsprojekts "Die fragmentierte Stadt"
- Autor/in
- Datierung
- 2021
- Schlüsselwörter
- Beschreibung
- Das Video ist Teil der Ergebnisse des SNF-Forschungsprojekts «Die fragmentierte Stadt», die in dem gleichnamigen Buch 2021 beim Jovis Verlag in Berlin veröffentlicht wurden.
Über drei Jahre hinweg stattfindende Beobachtungen, Spaziergänge und Begegnungen in Berlin, Graz und Zürich bilden die Grundlage von vier unterschiedlichen künstlerisch-ethnografischen Zugängen zu Exklusionserfahrungen und Aneignungsstrategien. In fotografischen, audiovisuellen, performativen und sprachlichen Untersuchungen entstanden Gedanken, Einsichten und Produkte, welche in Texten, Bildern und Videos vorgestellt werden.
Wo Menschen eng zusammenleben, gibt es Konkurrenz und Verdrängung. Beinahe selbstverständlich nehmen wir hin, dass Straßen und Plätze, Geschäfte, Restaurants und Cafés einige Personengruppen ausschließen. Dies widerspricht dem Ideal einer demokratischen offenen Gesellschaft mit gleichberechtigten Mitgliedern. Wie erleben Menschen, die am Rande der Gesellschaft stehen (oder sich dort sehen) öffentliche Stadträume? Wo fühlen sie sich willkommen, wo nicht? Wo, wie und warum entstehen Nutzungskonflikte? Diesen Fragen geht das Projekt «Die fragmentierte Stadt» nach.
- Das Video ist Teil der Ergebnisse des SNF-Forschungsprojekts «Die fragmentierte Stadt», die in dem gleichnamigen Buch 2021 beim Jovis Verlag in Berlin veröffentlicht wurden.
- Rechteinhaber/in
- Zürcher Hochschule der Künste / Jürgen Krusche
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- Die fragmentierte Stadt
- Dozierende/Projektleitung
- Jürgen Krusche
- Importiert am
- 27.06.2021
- Übergeordnete Sets
- 1