When getting very close to the performances, we were all adjusting details. For the music, it was really about organising cues and I had to explain my system to Sylvain. We first used a timeline on Google sheets as a sort of score, but then moved on to lists on our phones that helped us navigate the clues correctly in live situations. This also included activating Clärli's microphone and sending it to different speakers, as well as the light cues.