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Dramaturgien des Sozialen
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- Autor/in
- Datierung
- 02.07.2021
- Schlüsselwörter
- Beschreibung
- So radikal und zum Teil beängstigend der gesellschaftliche Wandel sich derzeit vollzieht, so spannend sind die neuen Perspektiven, die sich für die Gestaltung von kreativen Arbeitsprozessen auftun […]. Das Theater könnte hier Vorreiter für den kulturellen Bereich sein.
Zu Anfang meines Masterstudiums im Herbst 2019 an der Zürcher Hochschule der Künste begann auch meine Arbeit als künstlerische Mitarbeiterin am Kulturhaus Helferei – einem einzigartigen Ort in Zürich. Mitten in der Altstadt ist es ein Ort, wo soziale Bedürfnisse auf vielseitige künstlerische Praxen treffen. Es ist ein Raum, an welchem man nicht von einem bestehenden Publikum ausgeht, sondern tagtäglich in Kontakt mit Menschen ist – mit Individuen, die unterschiedliche ästhetische Wünsche, verschiedene Sehgewohnheiten und Nöte haben.
Am Kulturhaus Helferei kann man sich nicht hinter einem Kunstwerk „verstecken“, sondern muss da präsent, sich nahbar machen, offen sein und sich immer wieder aufs Neue einlassen. Egal, ob man gerade darauf vorbereitet ist oder nicht.
Die Arbeit am Kulturhaus Helferei ist für mich dadurch immer wieder spannend und herausfordernd. Jeden Tag aufs Neue kommen andere Menschen und damit einhergehend neue Ideen und Weltansichten, die man antrifft. In dem Kulturhaus Helferei ist Gastfreundschaft fester Bestandteil des Programms. Hier hat alles und jede*r Platz. Parallelen und wider- sprüchliche Konzepte sind erwünscht und willkommen. Das Soziale und die Kunst geben sich die Hand, verbinden sich und entfalten unerwartete soziale und künstlerische Energien. Bisher nicht wahrnehmbares Potential wird dadurch sichtbar gemacht.
Mit der Linse des Sozialen, oder besser gesagt Menschlichen, die ich durch die Arbeit im Kulturhaus Helferei geschärft habe, habe ich auf mein Studium geblickt:
- So radikal und zum Teil beängstigend der gesellschaftliche Wandel sich derzeit vollzieht, so spannend sind die neuen Perspektiven, die sich für die Gestaltung von kreativen Arbeitsprozessen auftun […]. Das Theater könnte hier Vorreiter für den kulturellen Bereich sein.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Studienabschnitt
- Importiert am
- 07.02.2022
- Übergeordnete Sets
- 1
EWZ Betriebsgebäude Herdern, Passarelle Gleisbogen, Migros Herdern, Toni-Areal, West Park
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- Untertitel
- Umgebung und Baustelle Toni-Areal
- Autor/in
- Schlüsselwörter
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Typ
- Projekttitel auf deutsch
- Öffentlichkeitsarbeit Umbau Toni-Areal
- Dozierende/Projektleitung
- Peter Eberhard
- Importiert am
- 26.05.2011
- Übergeordnete Sets
- 1
Ecosystems of Writing
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Author that can easily go onto 2 lines as well
- Untertitel
- Interview with Michael Murtaugh
- Autor/in
- Datierung
- 15.09.2018
- Schlüsselwörter
- Beschreibung
- Michael Murtaugh is a technologist specialized in community databases, digital archives, and tools for new forms of reading and writing online. He is a member of Constant, where he is also part of the active archive research project, investigating and developing digital archiving platforms for cultural institutions.
In this interview, Michael discusses how infrastructures shape practices, and how recognizing these performative aspects of infrastructure can be used to question relationships to and through infrastructure. He introduces Etherbox, a RaspberryPi operated network box enabling local communities to collectively write, but is set up as a visible tool to engage with imaginations of software, infrastructure, and services. The Etherbox thus takes the concept of active archives a step further. Whereas active archives try to formulate ideas how archives can live on and serve communities in more productive ways than a frozen account of a historical event, Etherbox expands the concern about the performativity of infrastructure into a tool, which addresses both the symbolical level (of speculative infrastructure) as well the functional level (of collective writing spaces). That intertwinedness of the aesthetical and the functional is expanding the territory of infrastructure into an ecosystem of writing.
- Michael Murtaugh is a technologist specialized in community databases, digital archives, and tools for new forms of reading and writing online. He is a member of Constant, where he is also part of the active archive research project, investigating and developing digital archiving platforms for cultural institutions.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- creating commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 17.12.2019
- Übergeordnete Sets
- 1
Eine Nicht-Situation der gegenwärtigen Autor*innen. Eine Aufforderung!
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Author that can easily go onto 2 lines as well
- Autor/in
- Datierung
- 15.12.2021
- Schlüsselwörter
- Beschreibung
- „‚Welches Theater brauchen die Texte?‘ - Die Antwort: Autor:innen-Theater. Und weiter: ‚Für welches Publikum, welche Bühne, welche Zeit schreiben die Theater- autor:innen heute?‘ – Für eine bessere Zukunft.“
Mit dieser Forderung nach einer „besseren Zukunft“ möchte ich den Beginn dieser Seiten gestalten. Die lesende Person – also Du – welche zum Herumirren, Philosophieren, Wider-sprechen geladen ist, soll sich ein Bild über die Situation der Autor*innen machen können. Sei es sowohl im Bezug auf Regisseur*innen, Uraufführungen, Förderprogramme und Institutionen als auch auf die damit verbundenen Erwartungen von morgen.
Mehr denn je werden junge Autor*innen hervorgebracht und die junge Dramatik gefördert. In Anlehnung an Gerda Poschmann werde ich den Begriff Theatertext einbeziehen und für diese Arbeit etablieren. Junge Autor*innen werden heute so gefördert wie kein anderer künstlerischer Beruf an den Theatern. Zwar gibt es ebenfalls zahlreiche Institutionen, welche junge Regisseur*innen fördern – dabei werden die Künstler*innen oftmals direkt von den Schulen an die Theater geholt – aber an das Ausmass der Autor*innenförderungen kommt die institutionalisierte Unterstützung junger Regie-Positionen und anderer Vertiefungen nicht heran. Und dennoch kämpfen Autor*innen noch immer um ein Gehör. Heute, mehr denn je.
- „‚Welches Theater brauchen die Texte?‘ - Die Antwort: Autor:innen-Theater. Und weiter: ‚Für welches Publikum, welche Bühne, welche Zeit schreiben die Theater- autor:innen heute?‘ – Für eine bessere Zukunft.“
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Studienabschnitt
- Importiert am
- 24.03.2022
- Übergeordnete Sets
- 1
Expanding Cinema
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Author that can easily go onto 2 lines as well
- Untertitel
- Interview with Sebatian Lütgert & Jan Gerber
- Autor/in
- Datierung
- 22.10.2017
- Schlüsselwörter
- Beschreibung
- Sebastian Lütgert & Jan Gerber are two artists and programmers who developed the movie database 0xdb and its underlying software pan.do/ra. The more than 15,000 films in the database are objects that cover films hard to find online. 0xbd is not just a database for films but treats film as a veritable digital object, which allows new ways of dealing with films.
The project offers a number of special features such as the visualization of the timeline, time-based annotations, additional information and interlinking with other objects and information, and allows for in-depth search. The project stands in the tradition of autonomous archives and other critical media practices and has collaborated with artists and political activists worldwide. The software, as well as the movies, are available for free.
- Sebastian Lütgert & Jan Gerber are two artists and programmers who developed the movie database 0xdb and its underlying software pan.do/ra. The more than 15,000 films in the database are objects that cover films hard to find online. 0xbd is not just a database for films but treats film as a veritable digital object, which allows new ways of dealing with films.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- creating commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 17.12.2019
- Übergeordnete Sets
- 1
Experimenting with Institutional Formats
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Author that can easily go onto 2 lines as well
- Untertitel
- Interview with Laurence Rassel
- Autor/in
- Datierung
- 4.3.2018
- Schlüsselwörter
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- creating commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 17.12.2019
- Übergeordnete Sets
- 1
Feminist Hackspace
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Author that can easily go onto 2 lines as well
- Untertitel
- Interview with Patricia Reis and Stephanie Wuschitz
- Autor/in
- Datierung
- 1.3.2018
- Schlüsselwörter
- Beschreibung
- Patricia Reis and Stefanie Wuschitz are the founders and members of the trans*feminist hackspace Mz* Baltazars Laboratory, Vienna in Vienna. It is run by a collective and offers, on one hand, a hackspace with a workshop program for female, trans and non-binary people, and on the other hand, runs a gallery space with a feminist exhibition program.
The lab is conceived as a safer space for people who have traditionally been excluded from or have felt unsafe in spaces where science is taught and technology is developed. It invites those people to participate or give workshops that bring together technology, art, and have a critical understanding of social structures.
In this interview, Stephanie Wuschitz and Patricia Reis introduce feminist hacking as an artistic methodology. They discuss the relationship between gender and technology and explain how Mz* Baltazar’s Lab aims at developing other imaginations of technology by consciously developing a community. They discuss the role of the space in developing that community and the importance of creating a safer space – both fostering engagement within the community and for the space, but also for reaching out to a wider audience.
- Patricia Reis and Stefanie Wuschitz are the founders and members of the trans*feminist hackspace Mz* Baltazars Laboratory, Vienna in Vienna. It is run by a collective and offers, on one hand, a hackspace with a workshop program for female, trans and non-binary people, and on the other hand, runs a gallery space with a feminist exhibition program.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- creating commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 17.12.2019
- Übergeordnete Sets
- 1
Film as Digital Object
Name that can easily go onto 2 lines
Author that can easily go onto 2 lines as well
- Untertitel
- Sebastian Lütgert in conversation with Cornelia Lund
- Autor/in
- Datierung
- 27.09.2019
- Schlüsselwörter
- Beschreibung
- When films enter the database 0xDB(1) and its underlying software pan.do/ra(2), they become digital objects. As such, they form part of a network of interrelated elements that constitute the archival environment and, at the same time, point beyond it. How does this new environment affect our way of dealing with moving images? How does it affect the films and their aesthetics to be embedded in a digital framework of paratextual elements? And how do the films, in turn, influence this framework? What does it mean when the films are shown in the context of a Pirate Cinema(3) screening? And ultimately: how does this change not only the way we see the films, but also cinema itself?
(1) https://0xdb.org (2) https://pan.do/ra (3) https://piratecinema.org
Sebastian Lütgert is an artist, programmer, and writer. He is (together with Jan Gerber) the founder of experimental movie database 0XDB and the software behind it (pan.do/ra). He has co-initiated other initiatives like Pirate Cinema Berlin, Bootlab and texts.com.
Cornelia Lund is an art, film and media theorist and curator living in Berlin. She is the co-director of fluctuating images, a platform for media art and design with a focus on audiovisual artistic production. She has been teaching design theory at various universities.
- When films enter the database 0xDB(1) and its underlying software pan.do/ra(2), they become digital objects. As such, they form part of a network of interrelated elements that constitute the archival environment and, at the same time, point beyond it. How does this new environment affect our way of dealing with moving images? How does it affect the films and their aesthetics to be embedded in a digital framework of paratextual elements? And how do the films, in turn, influence this framework? What does it mean when the films are shown in the context of a Pirate Cinema(3) screening? And ultimately: how does this change not only the way we see the films, but also cinema itself?
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- creating commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 17.12.2019
- Übergeordnete Sets
- 1
Forms of Ongoingness
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Author that can easily go onto 2 lines as well
- Untertitel
- Interview with Femke Snelting and Spideralex
- Autor/in
- Datierung
- 16.09.2018
- Schlüsselwörter
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- Creating Commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 10.03.2020
- Übergeordnete Sets
- 1
From Notepad to Cultural Resource. The Aesthetics of Crosslinking at Monoskop
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Author that can easily go onto 2 lines as well
- Untertitel
- Interview with Dušan Barok
- Autor/in
- Datierung
- 22.10.2017
- Schlüsselwörter
- Beschreibung
- Dušan Barok is a researcher, artist and cultural activist based in Amsterdam. His practice involves networked media, participatory events, and experimental publishing, and he runs and edits Monoskop. Monoskop is a media wiki that evolved from linking and contextualizing information on Eastern European experimental and media arts to host relevant files, such as books, texts, documents, and media files, and thus became a publishing initiative in its own right.
Due to its constant growth, Monoskop has transformed from a special interest archive to become a significant cultural resource. Today the wiki comprises of 6,744 entries and 13,616 documents, and the related WordPress log introduces new publications on a regular basis. Increasingly, Monoskop also triggers offline events, frequently with cultural institutions that have come to appreciate the unique resources of this autonomous archive.
- Dušan Barok is a researcher, artist and cultural activist based in Amsterdam. His practice involves networked media, participatory events, and experimental publishing, and he runs and edits Monoskop. Monoskop is a media wiki that evolved from linking and contextualizing information on Eastern European experimental and media arts to host relevant files, such as books, texts, documents, and media files, and thus became a publishing initiative in its own right.
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Projekttitel auf deutsch
- creating commons
- Dozierende/Projektleitung
- Felix Stalder
- Importiert am
- 17.12.2019
- Übergeordnete Sets
- 1
From therapeutic processes to empathic theatre: Can talking about your self on stage be a tool to enable social change?
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Author that can easily go onto 2 lines as well
- Untertitel
- Or: Why I needed to write my self before I could be myself.
- Autor/in
- Datierung
- 15.12.2021
- Schlüsselwörter
- Beschreibung
- To begin with I want to say, that all these things are already changed and invalid. There is no certainty at all because this is partly based on my own memory. So, for my brain, this is a moment in time, as many others that will follow - it will disappear from direct approachability. But maybe, just maybe it'll leave a trace in the liminal parts of your frontal cortex. Or not at all. Thank you for your time anyway. :)
In this essay I am trying to narrate my own artistic process: from "therapeutic" methods and approaches of text creation, which put personal storytelling to the foreground, either by writing yourself or co-writing in collective processes, towards "empathic" pieces of theatre or performance art that transcend to the political from the personal. Because I work in an ephemeral art form, the performative, my shows can't be really captured. There is video recording (but that's never the real thing), I do have the texts for the shows I have written, and I do have some of the audio recordings that were made in rehearsals (but who listens to
those). They are not ordered for an investigation, they are in chaos, so that at one point I can stumble upon them again and be inspired (a story I like to tell myself). Instead of on evidence, I choose to rely on my own memory, really dwell in it, in the moments that re-appear when I think about the two words "therapeutic" and "empathic", that have been following me around, for sure since I started working at Maxim Gorki Theater in 2014, but probably even before, with the first two shows I did, from which I definitely remember that I desperately wanted to have "real people" talk on stage. Honestly, I am trying to remind myself what
happened to me in the last years, what pathways I followed by accidently living.
- To begin with I want to say, that all these things are already changed and invalid. There is no certainty at all because this is partly based on my own memory. So, for my brain, this is a moment in time, as many others that will follow - it will disappear from direct approachability. But maybe, just maybe it'll leave a trace in the liminal parts of your frontal cortex. Or not at all. Thank you for your time anyway. :)
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Bereich ZHdK
- Typ
- Studienabschnitt
- Importiert am
- 24.03.2022
- Übergeordnete Sets
- 1
Fussgängerallee
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Author that can easily go onto 2 lines as well
- Untertitel
- Umgebung und Baustelle Toni-Areal
- Autor/in
- Schlüsselwörter
- Rechteinhaber/in
- Zürcher Hochschule der Künste
- Typ
- Projekttitel auf deutsch
- Öffentlichkeitsarbeit Umbau Toni-Areal
- Dozierende/Projektleitung
- Peter Eberhard
- Importiert am
- 26.05.2011
- Übergeordnete Sets
- 1